Reflexiones sobre Van Gogh y su obra
Much has been written about the life and work of Vincent Van Gogh. However, the present work aims to address its complex existence through new reflections that allow us to unravel through an expanded perspective, the web of senses that went through his life marked by nineteenth-century tensions. The...
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| Publicado en: | Cuadernos de Historia del Arte |
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| Autores principales: | , |
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| Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=15174 |
| Sumario: | Much has been written about the life and work of Vincent Van Gogh. However, the present work aims to address its complex existence through new reflections that allow us to unravel through an expanded perspective, the web of senses that went through his life marked by nineteenth-century tensions. The proposal is framed within what Merleau Ponty works on the concepts associated with his "Phenomenology of perception •~ in which he attributes great importance to perception since he considers that ali consciousness is perceptive, and in the contributions of the contemporary sociologist David Le Breton who understands human corporeality as a social and cultural phenomenon, symbolic matter and object of representations and imaginaries. This has allowed us to analyze the construction of his work taking into account that it carries implicit in itself the struggle of his own corporeality that not only manifests through his expressive works but is revealed to us by his very words in the correspondence corpus that kept with his brother Theo. In the need to know, in his passion for color, in collecting, in the desire to find his own style, to express himself in a direct way without rules or contentions, there is his dissatisfaction and the permanent search for a place in society that does not contain it Van Gogh lives on the surface of his marginality, manifests the discomfort of his body, his perception of nature misplaces it and expels it. |
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