Deconstruyendo aspectos del mito de Galina Tolmacheva y el teatro independiente en Mendoza a mediados del siglo XX
Between 1930 and 1960 the affirmation and professionalization of theatric activity in Mendoza (Argentina) occurs. This is due, among other factors, to the rise of the Independent Theater, the Harvest Festival celebration and the founding of theater school of Cuyo National University in 1949; Konstan...
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| Publicado en: | Revista Melibea |
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| Autores principales: | , |
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| Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=15412 |
| Sumario: | Between 1930 and 1960 the affirmation and professionalization of theatric activity in Mendoza (Argentina) occurs. This is due, among other factors, to the rise of the Independent Theater, the Harvest Festival celebration and the founding of theater school of Cuyo National University in 1949; Konstantin Stanislavski (Russia 1863-1938), spread in Mendoza by Galina Tolmacheva, bases its training matrix on the notion of ethics. We will try to pinpoint the feminine voices and silences in the theatrical discourse of the time within the singularities that take place in that epochal moment, as well as in relation to Independent Theater / Superior School of Theater. |
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