Juan José Saer – Ricardo Suspisiche: cruce de lenguajes para la creación de un espacio
An experience lived and commented by the very Suspiche -a painter from the Santa Fe littoral- and a careful reading of texts by Saer, give origin to this paper, which aims at an understanding of cross languages between the works of both. Each one, from his own aesthetics, generates a space which tr...
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| Publicado en: | Piedra y Canto |
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| Autores principales: | , |
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| Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=681 |
| Sumario: | An experience lived and commented by the very Suspiche -a painter from the Santa Fe littoral- and a careful reading of texts by Saer, give origin to this paper, which aims at an understanding of cross languages between the works of both.
Each one, from his own aesthetics, generates a space which transcends referentiality to become a poetics, but also a true cosmovision.
Saer's works reveal his idea of literature and the world, a conception according to which liJe cannot be apprehended. This certainty guides his writing process; contributes his recurrent topics, which are nothing but the desperate insistence to communicate perceptions.
About Suspiche's art, the critic Taverna Yrigoyen has said. /lit is a landscape which seems to submit to him easily, and when he is about to make it his. to penetrate it, it becomes an unreachable mirage.
How do both solve. in the textual surface, that distrust in the possibility of setting up their universes? By way of language, through the experimentation with which they are able to transform, overlap, and reiterate, in order to create a meaning.
Our paper aims at showing how both evolve towards the essentiality achieved through a progressive suppression ofwhat is unnecessary, the abandonment of devices typical of literature of manners. and a praxis which asksfor ever more rigorous techniques. To do so, we analize the process of productivity of those spaces which surround man's vital journey and are one with him; not due to psychological affinities. in the romantic way; but fatally, through impregnation, symbiosis, adjustment.
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