Del quiebre con la tradición prologal en El Quijote de 1605
Cervantes, aware of the prologue tradition of the Golden Age, decides to charge against it in the prologue that he writes in a fictional code for 1605 Don Quixote. He meticulously reviews all the usual mechanisms, common places that appeared in the way his compatriots wrote the prologues. Cervantes,...
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| Autores principales: | , |
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2017
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| Acceso en línea: | https://bdigital.uncu.edu.ar/fichas.php?idobjeto=9860 |
| Sumario: | Cervantes, aware of the prologue tradition of the Golden Age, decides to charge against it in the prologue that he writes in a fictional code for 1605 Don Quixote. He meticulously reviews all the usual mechanisms, common places that appeared in the way his compatriots wrote the prologues. Cervantes, through a series of mechanisms –parody, irony and humor– adopts a position as regards what he considers that should not be done in a jocose way, establishing an original position on the paratextual formalities of the time and so, he begins to establish an author identity new for the time.
With this proposal, Cervantes blurs the boundaries between reality and fiction, making the reader read the prologue as part of the fiction. In this research, we expect to analyze how the author, through the metafiction in the prologue, begins to connote his position as an author distanced from his compatriots and, thus, builds his authorial identity that, somehow, catapults him as a founding writer of the modern novel. |
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