Arte, grafos (γράφειν) rupestres y técnicas: reflexiones desde la antropología de la tecnología a partir de un estudio de caso en el alero La Sixtina y El Hornero (La Tunita, Ancasti, Catamarca)
Rock art is one of the most interesting archaeological materialities because multiple avenues of analysis have been developed over time. They have made it possible to address various problems on rock art’s meaning, execution, symbolism, and aesthetic characteristics. However, the processes of mixing...
Guardado en:
| Autores principales: | , , , |
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| Formato: | Online |
| Lenguaje: | spa |
| Publicado: |
Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2023
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/analarqueyetno/article/view/6512 |
| Sumario: | Rock art is one of the most interesting archaeological materialities because multiple avenues of analysis have been developed over time. They have made it possible to address various problems on rock art’s meaning, execution, symbolism, and aesthetic characteristics. However, the processes of mixing, applying, and applying pigments as motifs, panels, and scenes have, in many cases, not been addressed comprehensively or holistically, nor incorporated broader social and technological aspects. This paper presents some thoughts on the relationship between art, techniques, and technology from the theoretical framework of the anthropology of technology. The concept of total social facts seems to have a forgotten relevance in archaeology as a social discipline, and that is why we intend to revive it here. This Maussian vision is illustrated through a case study from the eastern slope of the Sierra de Ancasti, specifically, in the La Tunita Archaeological Park (Catamarca, Argentina). |
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