Locales paquetes, intelectuales y piringundines: la vida nocturna cordobesa durante la década de 1960 (Argentina)
This work is part of an ongoing investigation that analyzes recreational practices and networks of sociability of a group of men and women in the city of Cordoba during the dictatorship and post-dictatorship period. This research describes those festive practices carried out in a number of bars and...
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| Formato: | Online |
| Lenguaje: | spa |
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Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
2018
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1478 |
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CUADERNOS DE HISTORIA DEL ARTE |
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CUADERNOS DE HISTORIA DEL ARTE |
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R-101 |
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spa |
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Online |
| author |
Reches, Ana Laura |
| spellingShingle |
Reches, Ana Laura Locales paquetes, intelectuales y piringundines: la vida nocturna cordobesa durante la década de 1960 (Argentina) Intelectuales Dictadura Posdictadura Intellectuals Dictatorship Post-dictatorship. |
| author_facet |
Reches, Ana Laura |
| author_sort |
Reches, Ana Laura |
| title |
Locales paquetes, intelectuales y piringundines: la vida nocturna cordobesa durante la década de 1960 (Argentina) |
| title_short |
Locales paquetes, intelectuales y piringundines: la vida nocturna cordobesa durante la década de 1960 (Argentina) |
| title_full |
Locales paquetes, intelectuales y piringundines: la vida nocturna cordobesa durante la década de 1960 (Argentina) |
| title_fullStr |
Locales paquetes, intelectuales y piringundines: la vida nocturna cordobesa durante la década de 1960 (Argentina) |
| title_full_unstemmed |
Locales paquetes, intelectuales y piringundines: la vida nocturna cordobesa durante la década de 1960 (Argentina) |
| title_sort |
local packages, intellectuals and brothers: nightlife cordoba during the 1960´s (argentina) |
| description |
This work is part of an ongoing investigation that analyzes recreational practices and networks of sociability of a group of men and women in the city of Cordoba during the dictatorship and post-dictatorship period. This research describes those festive practices carried out in a number of bars and nightclubs that did not express rejection of nonheterosexual eroticism. In this paper in particular, we stop at a number of places inhabited by the subjects during the last military dictatorship, which brought together an audience of middle sectors associated with the Arts in general, and theater practices in particular. Bestiario, El Ángel Azul or Elodia were bars/ coffee-concert located in the city center, where the participants built a bohemian atmosphere, while taking part in political discussions of the era. In Elodia, Raul Ceballos personified Doña Rosa with his show. Through the practice of transvestism, Ceballos embodied one of the figures of the homosexual, the "inverted", but as it was reinscribed in the field of artistic performance, generated a space for parody. It should be noted that Ceballos/ Doña Rosa did not play only with gender, but the actor also put on stage class differences, as Doña Rosa was consumed by middle classes, but belonged to the popular sectors.
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| publisher |
Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo |
| publishDate |
2018 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1478 |
| topic |
Intelectuales Dictadura Posdictadura Intellectuals Dictatorship Post-dictatorship. |
| topic_facet |
Intelectuales Dictadura Posdictadura Intellectuals Dictatorship Post-dictatorship. |
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AT rechesanalaura localpackagesintellectualsandbrothersnightlifecordobaduringthe1960sargentina AT rechesanalaura localespaquetesintelectualesypiringundineslavidanocturnacordobesaduranteladecadade1960argentina AT rechesanalaura lugaresrequintadosintelectuaisepiringundinesavidanotrunacordobesaduranteadecadade1960argentina |
| _version_ |
1800220719321186304 |
| spelling |
I11-R101article-14782020-12-02T13:28:09Z Local packages, intellectuals and brothers: nightlife cordoba during the 1960´s (Argentina) Locales paquetes, intelectuales y piringundines: la vida nocturna cordobesa durante la década de 1960 (Argentina) Lugares requintados, intelectuais e "piringundines": a vida notruna cordobesa durante a década de 1960 (Argentina) Reches, Ana Laura Intelectuales Dictadura Posdictadura Intellectuals Dictatorship Post-dictatorship. This work is part of an ongoing investigation that analyzes recreational practices and networks of sociability of a group of men and women in the city of Cordoba during the dictatorship and post-dictatorship period. This research describes those festive practices carried out in a number of bars and nightclubs that did not express rejection of nonheterosexual eroticism. In this paper in particular, we stop at a number of places inhabited by the subjects during the last military dictatorship, which brought together an audience of middle sectors associated with the Arts in general, and theater practices in particular. Bestiario, El Ángel Azul or Elodia were bars/ coffee-concert located in the city center, where the participants built a bohemian atmosphere, while taking part in political discussions of the era. In Elodia, Raul Ceballos personified Doña Rosa with his show. Through the practice of transvestism, Ceballos embodied one of the figures of the homosexual, the "inverted", but as it was reinscribed in the field of artistic performance, generated a space for parody. It should be noted that Ceballos/ Doña Rosa did not play only with gender, but the actor also put on stage class differences, as Doña Rosa was consumed by middle classes, but belonged to the popular sectors. El presente trabajo surge de una investigación en curso que analiza prácticas recreativas y redes de sociabilidad de un grupo de varones y mujeres en la ciudad de Córdoba durante la dictadura y posdictadura. Esta investigación describe aquellas prácticas festivas llevadas a cabo en un conjunto de bares y boliches comercializados que no manifestaban rechazo hacia eróticas no heterosexuales. En este escrito nos detenemos en una serie de espacios habitados por los sujetos durante la última dictadura militar, que reunían a un público de sectores medios asociados al mundo de las Artes en general, y a las prácticas teatrales en particular. Bestiario, El Ángel Azul o Elodía eran bares/café-concert céntricos, donde sus participantes construían una atmósfera bohemia, al calor de las discusiones políticas de la época. En Elodía, Raúl Ceballos personificaba a Doña Rosa con su espectáculo teatral. Mediante la práctica del transformismo, Ceballos encarnaba a una de las figuras del homosexual, el "invertido", pero al reinscribirla en el campo de la performance artística, generaba un espacio para la parodia. Debe señalarse que Ceballos/Doña Rosa no sólo jugaba con el género, sino que el actor también ponía en escenas diferencias de clase, ya que Doña Rosa era consumida por sectores medios, pero pertenecía a los sectores populares. O presente trabalho suge de uma investigação em curso que analisa práticas recriativas e redes de sociabilidade de um grupo de varões e mulheres na cidade de Córdoba durante a ditadura e pós-ditadura. Esta investigação descreve aquelas práticas festivas levadas a cabo em um conjunto de bares e boates comercialisados que não manifestavam rejeição a eróticas não heterosexuais. Neste escrito detemo-nos em uma série de espaços habitados pelos sujeitos durante a última ditadura militar, que reunia a um público de setores médios associados ao mundo das Artes em geral, e às práticas teatrais em particular.Bestiario, ElÁngel Azul ou Elodía eran bares/café-concert céntricos, onde seus participantes construíam uma atmosfera boemia, ao calor das discussões políticas da época.Em Elodía, Raúll Ceballos personificava Sua Rosa com seu espetáculo teatral. Mediante a pratica do transformismo, Ceballos encarnava a uma das figuras do homossexual, o "invertido", mas ao reescrevê-la no campo da performance artística, gerava um espaço para a paródia. Deve assinar-se que Ceballos/Sua Rosa não só jogava com o gênero, sendo que o ator também punha em cenas diferenças de classe, já que Sua Rosa era consumida por setores médios, mas pertencia aos setores populares. Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2018-12-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares doble ciego. application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1478 Cuadernos de Historia del Arte; Núm. 30 (2018): DOSSIER: ARQUITECTURA DE MENDOZA; 245-270 2618-5555 0070-1688 spa https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/1478/1006 Derechos de autor 2018 Cuadernos de Historia del Arte |
