Il Barocco e l’antico.: Roma e i suoi monumenti antichi nell’età barocca.
This study aims to analyse the use of Roman antiquities, (ancient buildings, monuments and works of art) in the definition of the urban space of the city of Rome during the Baroque period, and the influence that these antiquities had on the design and realisation of the architectural and artistic wo...
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Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
2023
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/6288 |
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I11-R101article-62882023-08-01T13:27:47Z Il Barocco e l’antico.: Roma e i suoi monumenti antichi nell’età barocca. Romano, Gabriele This study aims to analyse the use of Roman antiquities, (ancient buildings, monuments and works of art) in the definition of the urban space of the city of Rome during the Baroque period, and the influence that these antiquities had on the design and realisation of the architectural and artistic works of the main exponents of Baroque taste, especially Bernini, Borromini and Petro da Cortona. Divided in the dispute between the Classical and Baroque currents, which was very strong especially in Rome, many artists of the two factions had as a starting point precisely the study of antiquities, as evidenced by their biographical notes, the study of preparatory drawings of artworks and architectural projects. This basic study of antiquities would later be developed through the individual creative process of the sculptors/architects/painters and lead to the birth and realisation of what is known as Baroque Rome. Questo studio vuole analizzare l’utilizzo delle antichità romane, (edifici antichi, monumenti e opere d’arte) nella definizione dello spazio urbano della città di Roma durante il periodo barocco, e l’influenza che queste antichità ebbero nella progettazione e nella realizzazione delle opere architettoniche e artistiche dei principali esponenti del gusto barocco, Bernini, Borromini e Pietro da Cortona. Divisi nella contesa tra corrente classica e quella barocca, molto forte soprattutto a Roma, molti artisti delle due fazioni ebbero come punto di partenza proprio lo studio delle antichità, come evidenziano le loro notizie biografiche, lo studio dei disegni preparatori delle opere e dei progetti architettonici. Questo studio di base delle antichità verrà poi sviluppato attraverso il processo creativo individuale degli scultori/architetti/pittori e porterà alla nascita e alla realizzazione di quella che viene definita Roma Barocca. Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2023-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos evaluados por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/6288 Cuadernos de Historia del Arte; Núm. 40 (2023): Dossier: Escenarios barrocos; 87-119 2618-5555 0070-1688 spa https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/6288/5655 Derechos de autor 2023 Gabriele Romano https://creativecommons.org/licenses/by-nc-sa/3.0/deed.es |
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Universidad Nacional de Cuyo |
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Revistas en línea |
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CUADERNOS DE HISTORIA DEL ARTE |
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CUADERNOS DE HISTORIA DEL ARTE |
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spa |
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Online |
| author |
Romano, Gabriele |
| spellingShingle |
Romano, Gabriele Il Barocco e l’antico.: Roma e i suoi monumenti antichi nell’età barocca. |
| author_facet |
Romano, Gabriele |
| author_sort |
Romano, Gabriele |
| title |
Il Barocco e l’antico.: Roma e i suoi monumenti antichi nell’età barocca. |
| title_short |
Il Barocco e l’antico.: Roma e i suoi monumenti antichi nell’età barocca. |
| title_full |
Il Barocco e l’antico.: Roma e i suoi monumenti antichi nell’età barocca. |
| title_fullStr |
Il Barocco e l’antico.: Roma e i suoi monumenti antichi nell’età barocca. |
| title_full_unstemmed |
Il Barocco e l’antico.: Roma e i suoi monumenti antichi nell’età barocca. |
| title_sort |
il barocco e l’antico.: roma e i suoi monumenti antichi nell’età barocca. |
| description |
This study aims to analyse the use of Roman antiquities, (ancient buildings, monuments and works of art) in the definition of the urban space of the city of Rome during the Baroque period, and the influence that these antiquities had on the design and realisation of the architectural and artistic works of the main exponents of Baroque taste, especially Bernini, Borromini and Petro da Cortona. Divided in the dispute between the Classical and Baroque currents, which was very strong especially in Rome, many artists of the two factions had as a starting point precisely the study of antiquities, as evidenced by their biographical notes, the study of preparatory drawings of artworks and architectural projects. This basic study of antiquities would later be developed through the individual creative process of the sculptors/architects/painters and lead to the birth and realisation of what is known as Baroque Rome. |
| publisher |
Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo |
| publishDate |
2023 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/6288 |
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