Bodas de sangre en la Argentina
This note studies two Argentinian reelaborations of Blood Wedding. The first one has got the extra value of being the first filmic adaptation of any Lorca’s dramatic work, made only two years after his violent death, and with Margarita Xirgu on the screen. The second one is a theatrical version made...
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| Formato: | Online |
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2019
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2298 |
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I11-R103article-22982019-12-15T18:00:33Z Blood Wedding in Argentina Bodas de sangre en la Argentina Saura, Norma García Lorca Guibourg Gené Margarita Xirgu intratextualidad García Lorca Guibourg Gené Margarita Xirgu intratextuality This note studies two Argentinian reelaborations of Blood Wedding. The first one has got the extra value of being the first filmic adaptation of any Lorca’s dramatic work, made only two years after his violent death, and with Margarita Xirgu on the screen. The second one is a theatrical version made by the playwright and actor Juan Carlos Gené mixing Lorca’s fiction with his own memories, and staged in the CELCIT of Buenos Aires during 2010 and 2011. En el presente trabajo presentamos dos reelaboraciones de Bodas de sangre realizadas en la Argentina. La primera tiene el valor agregado de haber sido la primera película sobre una obra de García Lorca a dos años de su violenta muerte, y con la presencia en la pantalla de Margarita Xirgu. La segunda es la versión teatral que ideara el dramaturgo y actor Carlos Gené entretejiendo recuerdos propios y ficción lorquiana y que se presentara en el CELCIT de Buenos Aires en 2010 y 2011. Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2019-12-08 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2298 Boletín GEC; Núm. 24 (2019): Prácticas críticas alrededor de Lorca; 193-202 2618-334X 1515-6117 spa https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2298/1917 |
| institution |
Universidad Nacional de Cuyo |
| building |
Revistas en línea |
| filtrotop_str |
Revistas en línea |
| collection |
Boletín GEC |
| journal_title_str |
Boletín GEC |
| institution_str |
I-11 |
| repository_str |
R-103 |
| language |
spa |
| format |
Online |
| author |
Saura, Norma |
| spellingShingle |
Saura, Norma Bodas de sangre en la Argentina García Lorca Guibourg Gené Margarita Xirgu intratextualidad García Lorca Guibourg Gené Margarita Xirgu intratextuality |
| author_facet |
Saura, Norma |
| author_sort |
Saura, Norma |
| title |
Bodas de sangre en la Argentina |
| title_short |
Bodas de sangre en la Argentina |
| title_full |
Bodas de sangre en la Argentina |
| title_fullStr |
Bodas de sangre en la Argentina |
| title_full_unstemmed |
Bodas de sangre en la Argentina |
| title_sort |
blood wedding in argentina |
| description |
This note studies two Argentinian reelaborations of Blood Wedding. The first one has got the extra value of being the first filmic adaptation of any Lorca’s dramatic work, made only two years after his violent death, and with Margarita Xirgu on the screen. The second one is a theatrical version made by the playwright and actor Juan Carlos Gené mixing Lorca’s fiction with his own memories, and staged in the CELCIT of Buenos Aires during 2010 and 2011. |
| publisher |
Facultad de Filosofía y Letras, Universidad Nacional de Cuyo |
| publishDate |
2019 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2298 |
| topic |
García Lorca Guibourg Gené Margarita Xirgu intratextualidad García Lorca Guibourg Gené Margarita Xirgu intratextuality |
| topic_facet |
García Lorca Guibourg Gené Margarita Xirgu intratextualidad García Lorca Guibourg Gené Margarita Xirgu intratextuality |
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AT sauranorma bloodweddinginargentina AT sauranorma bodasdesangreenlaargentina |
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1800220793302417408 |
