Literatura y fotografía: Recordar, observar, preservar

In this article we study the relationship between literature and photography taking into account the aspects around memory, the fact of preserving it through memory and fixing it through writing and visual image. The objective is to analyze how photography operates in the narrative process, dialogui...

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Autor principal: Caminada, Lucía
Formato: Online
Lenguaje:spa
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2022
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6279
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spelling I11-R103article-62792022-12-24T11:56:57Z Literature and photography: To remind, to observe, to preserve Literatura y fotografía: Recordar, observar, preservar Caminada, Lucía literatura fotografía W.G. Sebald memoria mirada interior literature photography W.G. Sebald memory inner gaze In this article we study the relationship between literature and photography taking into account the aspects around memory, the fact of preserving it through memory and fixing it through writing and visual image. The objective is to analyze how photography operates in the narrative process, dialoguing with the spaces and times between writing, photography and the art of memory. Taking into account this framework of debates, we study a series of texts by the German writer W.G. Sebald: Vertigo (1990), Campo Santo and On the natural history of destruction (1986). The hypothesis that we propose is that in Sebald´s narrative some in-between-places emerge from the intersection between writing and photography that allows to show an inner gaze and also selects mental images and memories to build both personal history and History. The photographs operate by evoking the past, building the reality and the intimate that fears to be forgotten; consequently, the nostalgic subjectivity generated by the photographs is linked to the inner experience. En este artículo estudiamos el vínculo entre literatura y fotografía teniendo en cuenta los aspectos en torno a la memoria, al hecho de preservarla a través del recuerdo y de fijarla mediante lo escrito y lo visual. El objetivo es analizar cómo la fotografía opera en el proceso narrativo, dialogando con los espacios y tiempos entre la escritura, la fotografía y el arte de la memoria. Al tener en cuenta este marco de debates, estudiamos una serie de textos del escritor alemán W.G. Sebald: Vértigo (1990), Campo Santo y Sobre la historia natural de la destrucción (1986). La hipótesis que proponemos es que en la narrativa de Sebald se plantean entre-lugares en la intersección entre escritura y fotografía, y que estos dejan traslucir una mirada interior y asimismo seleccionan imágenes mentales y recuerdos para construir tanto la historia personal como la Historia. Las fotografías operan evocando el pasado, construyendo la realidad y lo íntimo que teme olvidarse; en consecuencia, la subjetividad nostálgica que generan las fotografías se vincula con la experiencia interior.   Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2022-12-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos evaluados por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6279 10.48162/rev.43.025 Boletín GEC; Núm. 30 (2022): Literatura y otros lenguajes artísticos: manifestaciones contemporáneas; 54-74 2618-334X 1515-6117 spa https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6279/5363 Derechos de autor 2022 Lucia Caminada http://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Nacional de Cuyo
building Revistas en línea
filtrotop_str Revistas en línea
collection Boletín GEC
journal_title_str Boletín GEC
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author Caminada, Lucía
spellingShingle Caminada, Lucía
Literatura y fotografía: Recordar, observar, preservar
literatura
fotografía
W.G. Sebald
memoria
mirada interior
literature
photography
W.G. Sebald
memory
inner gaze
author_facet Caminada, Lucía
author_sort Caminada, Lucía
title Literatura y fotografía: Recordar, observar, preservar
title_short Literatura y fotografía: Recordar, observar, preservar
title_full Literatura y fotografía: Recordar, observar, preservar
title_fullStr Literatura y fotografía: Recordar, observar, preservar
title_full_unstemmed Literatura y fotografía: Recordar, observar, preservar
title_sort literature and photography: to remind, to observe, to preserve
description In this article we study the relationship between literature and photography taking into account the aspects around memory, the fact of preserving it through memory and fixing it through writing and visual image. The objective is to analyze how photography operates in the narrative process, dialoguing with the spaces and times between writing, photography and the art of memory. Taking into account this framework of debates, we study a series of texts by the German writer W.G. Sebald: Vertigo (1990), Campo Santo and On the natural history of destruction (1986). The hypothesis that we propose is that in Sebald´s narrative some in-between-places emerge from the intersection between writing and photography that allows to show an inner gaze and also selects mental images and memories to build both personal history and History. The photographs operate by evoking the past, building the reality and the intimate that fears to be forgotten; consequently, the nostalgic subjectivity generated by the photographs is linked to the inner experience.
publisher Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
publishDate 2022
url https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6279
topic literatura
fotografía
W.G. Sebald
memoria
mirada interior
literature
photography
W.G. Sebald
memory
inner gaze
topic_facet literatura
fotografía
W.G. Sebald
memoria
mirada interior
literature
photography
W.G. Sebald
memory
inner gaze
work_keys_str_mv AT caminadalucia literatureandphotographytoremindtoobservetopreserve
AT caminadalucia literaturayfotografiarecordarobservarpreservar
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