Hacia una estética de la espera. Apuntes sobre la transposición cinematográfica de Zama por Lucrecia Martel
Literature is one of the main sources from which cinema has been nourished since its inception. However, from the second half of the 20th Century, the inverse influence (that is, of cinema on literature) has been increasing. Antonio Di Benedetto found in the seventh art some narrative elements that...
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| Formato: | Online |
| Lenguaje: | spa |
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2022
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6281 |
| Sumario: | Literature is one of the main sources from which cinema has been nourished since its inception. However, from the second half of the 20th Century, the inverse influence (that is, of cinema on literature) has been increasing. Antonio Di Benedetto found in the seventh art some narrative elements that he used in his works, and that have given rise to what in this article we call the aesthetics of waiting. Lucrecia Martel premiered her adaptation of Zama in 2017, and it immediately became a critically acclaimed film. In this article we intend to elucidate the resources that Martel uses to endow Diego de Zama with certain characteristics that make him a character for whom it is possible to feel empathy (unlike the character in the book), although without losing the essence. |
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