Presentación
Theoretical sieges to the so-called writings of the self have been the subject of reflection in different academic forums. Perhaps the vindication of the figure of the author was one of the reasons that emphasized the revaluation of memoirs, autobiographies and diaries. The communicating vessels bet...
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2017
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1498 |
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I11-R112article-14982022-05-31T14:44:34Z Presentation Presentación Molano Nucamendi, Luis Horacio Presentación Presentation Theoretical sieges to the so-called writings of the self have been the subject of reflection in different academic forums. Perhaps the vindication of the figure of the author was one of the reasons that emphasized the revaluation of memoirs, autobiographies and diaries. The communicating vessels between life and work are evident in the artistic configuration of these referential works. Memories have historical events as their narrative axis and relate the individual to socio-political circumstances. The location of the person during a certain historical moment of his town becomes a matter of narration; The particular implications are then described within a crucial moment for the world. The autobiography is preceded by a situation of self-examination in which the level of introspection is necessary to articulate the sum of selves that have made the present self possible. So the result of who you are today has been part of a unique journey. The diary takes us to the subject being made on a daily basis. There is in it an effect of plunging into the interiority of its author. All the writings of the self are born of an expressive need and have their counterpart in readers who have been awakened by the desire to better know the writer hidden in narrative fictions or poetic experiences. There is, therefore, a will to tell oneself about life and to find the revealing private story of one who through his literary work has become a public figure. Los asedios teóricos a las llamadas escrituras del yo han sido materia de reflexión en distintos foros académicos. Quizá la reivindicación de la figura del autor fue una de las razones que hicieron énfasis en la revaloración de memorias, autobiografías y diarios. Los vasos comunicantes entre vida y obra se hacen evidentes en la configuración artística de estas obras referenciales. Las memorias tienen como eje narrativo los acontecimientos históricos y relacionan al individuo con las circunstancias sociopolíticas. La ubicación de la persona durante determinado momento histórico de su pueblo se convierte en materia de narración; se describen, entonces, las implicaciones particulares dentro de un momento crucial para el mundo. La autobiografía es precedida por una situación de autoexamen en que el nivel de introspección es necesario para articular la suma de yoes que han hecho posible ese yo del presente. De modo que el resultado de quien se es en la actualidad ha sido parte de una trayectoria singular. El diario nos traslada al sujeto haciéndose en el día a día. Hay en él un efecto de sumergirse en la interioridad de su autor. Todas las escrituras del yo nacen de una necesidad expresiva y tienen su contraparte en los lectores a quienes se les ha despertado el deseo de conocer mejor al escritor solapado en las ficciones narrativas o en las experiencias poéticas. Existe, pues, una voluntad de contarse a sí mismo la vida y de encontrar el revelador relato privado de quien por su obra literaria se ha convertido en una figura pública. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2017-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1498 Cuadernos del CILHA; Vol. 18 Núm. 2 (2017): Dosier: Escrituras del yo en Iberoamérica; 11-13 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1498/1026 https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
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Theoretical sieges to the so-called writings of the self have been the subject of reflection in different academic forums. Perhaps the vindication of the figure of the author was one of the reasons that emphasized the revaluation of memoirs, autobiographies and diaries. The communicating vessels between life and work are evident in the artistic configuration of these referential works. Memories have historical events as their narrative axis and relate the individual to socio-political circumstances. The location of the person during a certain historical moment of his town becomes a matter of narration; The particular implications are then described within a crucial moment for the world. The autobiography is preceded by a situation of self-examination in which the level of introspection is necessary to articulate the sum of selves that have made the present self possible. So the result of who you are today has been part of a unique journey. The diary takes us to the subject being made on a daily basis. There is in it an effect of plunging into the interiority of its author. All the writings of the self are born of an expressive need and have their counterpart in readers who have been awakened by the desire to better know the writer hidden in narrative fictions or poetic experiences. There is, therefore, a will to tell oneself about life and to find the revealing private story of one who through his literary work has become a public figure. |
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
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2017 |
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https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1498 |
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