La demanda de novela. Limitaciones en la recepción de Rodolfo Walsh a fines de la década del sesenta / The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties
In 1967, the publication of Un kilo de oro -which contains four stories in stylistic continuity with the six of Los oficios terrestres (1965)- causes a reclaim of a novel, directed from cultural journalism to the author, until then just recognized by his mastery of the mystery nouvelle in the first...
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
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I11-R112article-15152022-05-31T14:57:30Z The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties La demanda de novela. Limitaciones en la recepción de Rodolfo Walsh a fines de la década del sesenta / The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties Luppi, Juan Pablo Estilo Falta Ficción Proyecto Recepción Fiction Lack Proyect Reception Style In 1967, the publication of Un kilo de oro -which contains four stories in stylistic continuity with the six of Los oficios terrestres (1965)- causes a reclaim of a novel, directed from cultural journalism to the author, until then just recognized by his mastery of the mystery nouvelle in the first book, Variaciones en rojo (1953), and relatively by Operación masacre (1957) catalogued outside the novel as non-fiction. In reviews and interviews between 1965 and 1967, the argentine cultural field receives Walsh`s literature as shutter of the novel, applying to the author the image of uncertain or spoiled novelist, highlighting exclusively (or ignoring, according to ideological priority) his testimonial work. We inquire those limitations of reception as a critical problem where are formulated the prejudgments of literary institution, like a contrast threshold to discover the novel projected by Walsh in different supports and forms that exceed parameters of his time. En 1967, la publicación de Un kilo de oro -que contiene cuatro cuentos en continuidad estilística con los seis de Los oficios terrestres (1965)- provoca un insistente reclamo de novela dirigido desde el periodismo cultural al autor, hasta entonces solo reconocido por su dominio del cuento largo de enigma en el primer libro, Variaciones en rojo (1953), y relativamente por Operación masacre (1957) catalogado fuera de la novela como no-ficción. En reseñas y entrevistas entre 1965 y 1970, el campo cultural argentino recibe la literatura de Walsh como obturación de la novela, aplicando al autor la imagen de novelista indeciso o malogrado, destacando exclusivamente (o ignorando, según prioridad ideológica) su obra testimonial. Indagamos estas limitaciones de recepción como problema crítico donde se formulan los prejuicios de la institución literaria, que utilizamos como umbral de contraste para descubrir la novela proyectada por Walsh en variados soportes y formas que exceden los parámetros de su época. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2016-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1515 Cuadernos del CILHA; Vol. 17 Núm. 2 (2016): Literatura argentina y colombiana; 11-20 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1515/1043 https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
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author |
Luppi, Juan Pablo |
spellingShingle |
Luppi, Juan Pablo La demanda de novela. Limitaciones en la recepción de Rodolfo Walsh a fines de la década del sesenta / The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties Estilo Falta Ficción Proyecto Recepción Fiction Lack Proyect Reception Style |
author_facet |
Luppi, Juan Pablo |
author_sort |
Luppi, Juan Pablo |
title |
La demanda de novela. Limitaciones en la recepción de Rodolfo Walsh a fines de la década del sesenta / The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties |
title_short |
La demanda de novela. Limitaciones en la recepción de Rodolfo Walsh a fines de la década del sesenta / The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties |
title_full |
La demanda de novela. Limitaciones en la recepción de Rodolfo Walsh a fines de la década del sesenta / The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties |
title_fullStr |
La demanda de novela. Limitaciones en la recepción de Rodolfo Walsh a fines de la década del sesenta / The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties |
title_full_unstemmed |
La demanda de novela. Limitaciones en la recepción de Rodolfo Walsh a fines de la década del sesenta / The demand of novel. Limitations on reception of Rodolfo Walsh in the late sixties |
title_sort |
demand of novel. limitations on reception of rodolfo walsh in the late sixties |
description |
In 1967, the publication of Un kilo de oro -which contains four stories in stylistic continuity with the six of Los oficios terrestres (1965)- causes a reclaim of a novel, directed from cultural journalism to the author, until then just recognized by his mastery of the mystery nouvelle in the first book, Variaciones en rojo (1953), and relatively by Operación masacre (1957) catalogued outside the novel as non-fiction. In reviews and interviews between 1965 and 1967, the argentine cultural field receives Walsh`s literature as shutter of the novel, applying to the author the image of uncertain or spoiled novelist, highlighting exclusively (or ignoring, according to ideological priority) his testimonial work. We inquire those limitations of reception as a critical problem where are formulated the prejudgments of literary institution, like a contrast threshold to discover the novel projected by Walsh in different supports and forms that exceed parameters of his time. |
publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
publishDate |
2016 |
url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/1515 |
topic |
Estilo Falta Ficción Proyecto Recepción Fiction Lack Proyect Reception Style |
topic_facet |
Estilo Falta Ficción Proyecto Recepción Fiction Lack Proyect Reception Style |
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