Vallejo y el cine: la renovación de la ficción indigenista en Escalas

This article reviews the relationships between narrative techniques and resources considered cosmopolitan and an imaginary of the Andean in César Vallejo Escalas. With this objective, we emphasize the use of an illustrative compositional method of the influence that cinema had as a renovating aesthe...

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Detalles Bibliográficos
Autor principal: Di Benedetto, Matías
Formato: Online
Lenguaje:spa
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2020
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/2307
Descripción
Sumario:This article reviews the relationships between narrative techniques and resources considered cosmopolitan and an imaginary of the Andean in César Vallejo Escalas. With this objective, we emphasize the use of an illustrative compositional method of the influence that cinema had as a renovating aesthetic proposal of the ways of narrating such as the montage. This procedure is useful for reflecting on it not only as the basis of an experimental writing practice but rather as a metaphor for the processes of cultural assimilation of the Peruvian narrative vanguard of the twenties.