Los giros de La sangre de la aurora : la estética del fragmento y el resto
The border of what is recognizable and sensitive, and what it is not, are delimited in the dispute between the word and the scream; the sentence and the noise (Rancière, 2011). In the historic account it is configurated and organized what remains inside and outside. From the Final Report (2003), abo...
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2020
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3291 |
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I11-R112article-32912022-05-23T18:47:16Z The turns in La sangre de la aurora: The aesthetic of fragment and the remain Los giros de La sangre de la aurora : la estética del fragmento y el resto Peña Iguarán, Alina Estética Testimonio Cuerpo Violencia de género Horror Aesthetic Testimony Body Gender violence Horror The border of what is recognizable and sensitive, and what it is not, are delimited in the dispute between the word and the scream; the sentence and the noise (Rancière, 2011). In the historic account it is configurated and organized what remains inside and outside. From the Final Report (2003), about Human rights violations perpetrated during the conflict within Shining Path and the Peruvian State Armed Forces (1980-2000), the Commission of Truth and Reconciliation bolded the use of sexual violence as a strategy of control. In this sense, the body of the women become a symbolic territory to delimit and reinforce social order (Segato, 2014). The present paper inquires how La sangre de la aurora (2013) by Claudia Salazar, essays different aesthetic turns to break the social frames that supports the official representation of history; and calls the catastrophe as a mean to configurate violence. Also, it articulates what has been acknowledged as noise. The paper explores, based on the concept remain (Agamben, 2006), the turns in contemporary literature when it uses different sources and research methodologies to approach the horror in contexts of violence. Among these remains are memory, archives, and testimonios. Entre la palabra y el grito, la frase y el ruido se disputan (Rancière, 2011) la definición de las fronteras entre lo sensible y lo reconocible. Se organiza lo que queda fuera y dentro para la configuración de lo inscrito en el relato histórico. A partir del informe final (2003) de violación a los derechos humanos ocurridos durante el conflicto entre Sendero Luminoso y las Fuerzas Armadas del Estado peruano (1980-2000), la Comisión de la Verdad y Reconciliación resaltó el uso de la violación sexual como estrategia de control. En este sentido, el cuerpo de las mujeres resulta territorio simbólico para demarcar un orden social (Segato, 2014). Interesa indagar en La sangre de la aurora (2013) de Claudia Salazar, los giros estéticos que la literatura ensaya para romper los marcos de la representación oficial de la historia y convocar la catástrofe que configura la violencia y articular aquello reconocido como ruido. El presente texto propone, a partir de la idea del resto (Agamben, 2006), explorar los giros de la literatura para usar registros y modos de trabajo que enuncian el horror. Para ello se consideran los remanentes de la memoria, la construcción de archivos y los testimonios. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2020-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/xml https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3291 Cuadernos del CILHA; Núm. 33 (2020): Dosier Lectura emocional y miradas políticas de producciones estético-culturales latinoamericanas; 69-91 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3291/3107 https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3291/3279 https://creativecommons.org/licenses/by-nc/2.5/ar/ |
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Revistas en línea |
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Cuadernos del CILHA |
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| language |
spa |
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Online |
| author |
Peña Iguarán, Alina |
| spellingShingle |
Peña Iguarán, Alina Los giros de La sangre de la aurora : la estética del fragmento y el resto Estética Testimonio Cuerpo Violencia de género Horror Aesthetic Testimony Body Gender violence Horror |
| author_facet |
Peña Iguarán, Alina |
| author_sort |
Peña Iguarán, Alina |
| title |
Los giros de La sangre de la aurora : la estética del fragmento y el resto |
| title_short |
Los giros de La sangre de la aurora : la estética del fragmento y el resto |
| title_full |
Los giros de La sangre de la aurora : la estética del fragmento y el resto |
| title_fullStr |
Los giros de La sangre de la aurora : la estética del fragmento y el resto |
| title_full_unstemmed |
Los giros de La sangre de la aurora : la estética del fragmento y el resto |
| title_sort |
turns in la sangre de la aurora: the aesthetic of fragment and the remain |
| description |
The border of what is recognizable and sensitive, and what it is not, are delimited in the dispute between the word and the scream; the sentence and the noise (Rancière, 2011). In the historic account it is configurated and organized what remains inside and outside. From the Final Report (2003), about Human rights violations perpetrated during the conflict within Shining Path and the Peruvian State Armed Forces (1980-2000), the Commission of Truth and Reconciliation bolded the use of sexual violence as a strategy of control. In this sense, the body of the women become a symbolic territory to delimit and reinforce social order (Segato, 2014). The present paper inquires how La sangre de la aurora (2013) by Claudia Salazar, essays different aesthetic turns to break the social frames that supports the official representation of history; and calls the catastrophe as a mean to configurate violence. Also, it articulates what has been acknowledged as noise. The paper explores, based on the concept remain (Agamben, 2006), the turns in contemporary literature when it uses different sources and research methodologies to approach the horror in contexts of violence. Among these remains are memory, archives, and testimonios. |
| publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
| publishDate |
2020 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3291 |
| topic |
Estética Testimonio Cuerpo Violencia de género Horror Aesthetic Testimony Body Gender violence Horror |
| topic_facet |
Estética Testimonio Cuerpo Violencia de género Horror Aesthetic Testimony Body Gender violence Horror |
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