De mujeres, zapatistas y perseguidos.: La Guerra cristera en la obra de Elena Garro

Los recuerdos del porvenir (1963), Elena Garro's first novel, recreates the passage of the Mexican Revolution and its consequences in the archetypal scene of a small imagined town in the province (Ixtepec), where the Revolution appears as an event more suffered or received than acted or starred...

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Autor principal: Victory, Solange
Formato: Online
Lenguaje:spa
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2022
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3944
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spelling I11-R112article-39442022-06-14T18:41:36Z Of women, zapatistas and chased. : The Cristero War in the work of Elena Garro De mujeres, zapatistas y perseguidos.: La Guerra cristera en la obra de Elena Garro Victory, Solange Elena Garro Guerra cristera Novela de la Revolución Mexicana Identidad nacional Elena Garro Cristero War Novel of Mexican Revolution National identity Los recuerdos del porvenir (1963), Elena Garro's first novel, recreates the passage of the Mexican Revolution and its consequences in the archetypal scene of a small imagined town in the province (Ixtepec), where the Revolution appears as an event more suffered or received than acted or starred. The last stage of Ixtepec's ruin during the Post-Revolution is represented by the Cristero War, which occupies the entire second part of the novel. This essay will aim to analyze the meanings of the recreation of this civil war resulting from the confrontation between the Church and the State in Elena Garro's narrative, in order to rethink the way in which her work re-elaborates the literary tradition defined by the Novel of the Mexican Revolution. We conceive the latter as a critical category and as a founding corpus of a national literary canon in Mexico. This specific angle of study allows us to clarify and broaden the understanding of key aspects through which the writing of this author criticizes, appropriates and reestablishes the literary and cultural forms of a triumphant Revolution that, in Mexico’s 20th century, works as the axis around which all the other senses are arranged and defined. We will consider the Cristero War in Garro's work under three perspectives: historical-political, gender and philosophical. Los recuerdos del porvenir (1963), primera novela de Elena Garro, recrea el pasaje de la Revolución mexicana y sus consecuencias en el escenario arquetípico de una pequeña localidad imaginada en el interior mexicano (Ixtepec), donde la Revolución aparece como un acontecimiento más sufrido o recibido que actuado o protagonizado. La última etapa del proceso de desquiciamiento de Ixtepec en la Posrevolución está representada por la Guerra Cristera, que ocupa toda la segunda parte de la novela. Quisiéramos, a través de esta intervención, reflexionar sobre los significados que adquiere la recreación de esta guerra civil, producto del enfrentamiento entre la Iglesia y el Estado, en la narrativa de Elena Garro con el fin de repensar el modo en que su obra reelabora la tradición literaria definida por la Novela de la Revolución Mexicana, concebida esta última como una categoría crítica y como un corpus fundador de un canon literario nacional en México. Consideramos que este ángulo específico de estudio permite aclarar y ampliar la comprensión de aspectos clave a través de los cuales la escritura de esta autora critica, se apropia y restablece las formas literarias y culturales de una Revolución triunfante que, en el México del siglo XX, opera como eje en torno al cual se disponen y definen todos los demás sentidos. Consideraremos tres perspectivas de estudio bajo las que la Guerra cristera ingresa a la escritura de la autora: histórico-política, de género y filosófica. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2022-04-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3944 10.48162/rev.34.047 Cuadernos del CILHA; Núm. 36 (2022): Dosier: La literatura lúdica latinoamericana; 1-46 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3944/4565 Derechos de autor 2022 Solange Victory https://creativecommons.org/licenses/by-nc/4.0
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author Victory, Solange
spellingShingle Victory, Solange
De mujeres, zapatistas y perseguidos.: La Guerra cristera en la obra de Elena Garro
Elena Garro
Guerra cristera
Novela de la Revolución Mexicana
Identidad nacional
Elena Garro
Cristero War
Novel of Mexican Revolution
National identity
author_facet Victory, Solange
author_sort Victory, Solange
title De mujeres, zapatistas y perseguidos.: La Guerra cristera en la obra de Elena Garro
title_short De mujeres, zapatistas y perseguidos.: La Guerra cristera en la obra de Elena Garro
title_full De mujeres, zapatistas y perseguidos.: La Guerra cristera en la obra de Elena Garro
title_fullStr De mujeres, zapatistas y perseguidos.: La Guerra cristera en la obra de Elena Garro
title_full_unstemmed De mujeres, zapatistas y perseguidos.: La Guerra cristera en la obra de Elena Garro
title_sort of women, zapatistas and chased. : the cristero war in the work of elena garro
description Los recuerdos del porvenir (1963), Elena Garro's first novel, recreates the passage of the Mexican Revolution and its consequences in the archetypal scene of a small imagined town in the province (Ixtepec), where the Revolution appears as an event more suffered or received than acted or starred. The last stage of Ixtepec's ruin during the Post-Revolution is represented by the Cristero War, which occupies the entire second part of the novel. This essay will aim to analyze the meanings of the recreation of this civil war resulting from the confrontation between the Church and the State in Elena Garro's narrative, in order to rethink the way in which her work re-elaborates the literary tradition defined by the Novel of the Mexican Revolution. We conceive the latter as a critical category and as a founding corpus of a national literary canon in Mexico. This specific angle of study allows us to clarify and broaden the understanding of key aspects through which the writing of this author criticizes, appropriates and reestablishes the literary and cultural forms of a triumphant Revolution that, in Mexico’s 20th century, works as the axis around which all the other senses are arranged and defined. We will consider the Cristero War in Garro's work under three perspectives: historical-political, gender and philosophical.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2022
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3944
topic Elena Garro
Guerra cristera
Novela de la Revolución Mexicana
Identidad nacional
Elena Garro
Cristero War
Novel of Mexican Revolution
National identity
topic_facet Elena Garro
Guerra cristera
Novela de la Revolución Mexicana
Identidad nacional
Elena Garro
Cristero War
Novel of Mexican Revolution
National identity
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