Starting from the idea that biography as a form of representation of the subject constructed from the relationship between memory and identity, both ephemeral and defined from their relationship with a particular historical context, as proposed by authors such as Pierre Bourdieu and Roger Chartier,...
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2014
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4084 |
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I11-R112article-40842022-05-31T18:19:10Z The biographical illusion and the search for Argentinean and Latin American significance in the autobiography of Libertad Lamarque A ilusão biográfica e a busca de um sentido argentino ou latino-americano na autobiografia de Libertad Lamarque Kerber, Alessander National identity Biography Libertad Lamarque Identidade nacional Biografia Libertad Lamarque Starting from the idea that biography as a form of representation of the subject constructed from the relationship between memory and identity, both ephemeral and defined from their relationship with a particular historical context, as proposed by authors such as Pierre Bourdieu and Roger Chartier, we propose an analysis of biographies of Libertad Lamarque, in particular his autobiography published after 60 year career, in 1986. Libertad was one of the most successful artists in theater, radio, cinema and music industry in Argentina between 1920s and 1945, when, for alleged conflicts with Eva Peron, did not get more work in this country and migrate to Mexico. In his autobiography, the artist used different discursive strategies to make a certain version about the Argentine national identity and the identities of the Latin American nations and associate their identity with these versions. We intended to contribute to discussions about how they were make and massed on certain versions of the national identities of the countries of Latin America focusing on the struggles of representations present in these processes. Partindo-se da abordagem acerca da biografia como uma forma de representação do sujeito construída a partir das relações entre a memória e a identidade, ambas efêmeras e definidas a partir de sua relação com determinado contexto histórico, como proposto por autores como Pierre Bourdieu e Roger Chartier, propõe-se uma análise das biografias de Libertad Lamarque, em especial, de sua autobiografia publicada aos 60 anos de carreira, em 1986. Libertad foi uma das artistas de maior sucesso no teatro, rádio, cinema e indústria fonográfica na Argentina entre o final dos anos 1920 e 1945, quando, por supostos conflitos com Eva Perón, não obteve mais trabalho neste país e mudou-se para o México. Em sua autobiografia, a artista utilizou-se de diversas estratégias discursivas para construir determinada versão acerca da identidade nacional argentina e de identidades de nações latino-americanas e associar a sua própria identidade a estas versões. Pretende-se, desta forma, contribuir para as discussões acerca de como foram construídas e massificadas determinadas versões acerca das identidades nacionais de países da América Latina enfocando as lutas de representações presentes nestes processos. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2014-06-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4084 Cuadernos del CILHA; Vol. 15 Núm. 1 (2014); 43-72 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4084/2945 https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
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Universidad Nacional de Cuyo |
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Revistas en línea |
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Revistas en línea |
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Cuadernos del CILHA |
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Cuadernos del CILHA |
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R-112 |
| language |
spa |
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Online |
| author |
Kerber, Alessander |
| spellingShingle |
Kerber, Alessander National identity Biography Libertad Lamarque Identidade nacional Biografia Libertad Lamarque |
| author_facet |
Kerber, Alessander |
| author_sort |
Kerber, Alessander |
| description |
Starting from the idea that biography as a form of representation of the subject constructed from the relationship between memory and identity, both ephemeral and defined from their relationship with a particular historical context, as proposed by authors such as Pierre Bourdieu and Roger Chartier, we propose an analysis of biographies of Libertad Lamarque, in particular his autobiography published after 60 year career, in 1986. Libertad was one of the most successful artists in theater, radio, cinema and music industry in Argentina between 1920s and 1945, when, for alleged conflicts with Eva Peron, did not get more work in this country and migrate to Mexico. In his autobiography, the artist used different discursive strategies to make a certain version about the Argentine national identity and the identities of the Latin American nations and associate their identity with these versions. We intended to contribute to discussions about how they were make and massed on certain versions of the national identities of the countries of Latin America focusing on the struggles of representations present in these processes. |
| publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
| publishDate |
2014 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4084 |
| topic |
National identity Biography Libertad Lamarque Identidade nacional Biografia Libertad Lamarque |
| topic_facet |
National identity Biography Libertad Lamarque Identidade nacional Biografia Libertad Lamarque |
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1800221179835842560 |
