(Pos)dictadura: estrategias contestatarias y disidentes en la dramaturgia de Susana Torres Molina
Considering the political nature of theater and the performative action in the theatrical space, this essay analyzes Argentinian dramatist Susana Torres Molina's trilogy Esa extraña forma de pasión (2013), La fundación (2019), and Un domingo en familia. The objective of this analysis is to obse...
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2021
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4936 |
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I11-R112article-49362022-03-31T21:54:18Z (Pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of Susana Torres Molina (Pos)dictadura: estrategias contestatarias y disidentes en la dramaturgia de Susana Torres Molina Sandoval-Leon, Osvaldo (Pos)dictadura Teatro Violencia Trauma Testimonio (Post)dictatorship Theater Violence Trauma Testimony Considering the political nature of theater and the performative action in the theatrical space, this essay analyzes Argentinian dramatist Susana Torres Molina's trilogy Esa extraña forma de pasión (2013), La fundación (2019), and Un domingo en familia. The objective of this analysis is to observe the textual and performative practice of theater as a space for creation, negotiation, and encounter to display the effects of systematized violence against social and marginalized sectors of political opposition, taking into account a neoliberal culture, as well as necropolitical and religious models. Although it has been almost forty years since the return of democracy in Argentina, the social trauma, beyond being identified by the event that caused it, persists in the structure of its experience, reception, consumption, and progressive repetition in the present. In the last decade, Torres Molina has reconstructed and redefined the Argentine dictatorial past through her theater, which invites us to reflect on the relevance of the painful but necessary retroactive looks and their effects in the XXI century. Teniendo en cuenta el carácter político en el teatro y la función performática en el espacio teatral, este ensayo analiza la trilogía de la dramaturga argentina Susana Torres Molina Esa extraña forma de pasión (2013), La fundación (2019) y Un domingo en familia. El objetivo de este análisis consiste en observar la práctica textual y escénica del teatro como un espacio de creación, negociación y encuentro para mostrar los efectos de la violencia sistematizada en contra de sectores políticos de oposición, así como de grupos sociales marginalizados, a partir de una mirada a la cultura neoliberal, modelos necropolíticos y religiosos. Si bien han pasado casi cuarenta años desde el regreso de la democracia en Argentina, el trauma social, más allá de identificarse por el evento que lo causó, persiste en la estructura de su experiencia, recepción, consumo y progresiva repetición en el presente. En la última década, Torres Molina se ha encargado de reconstruir y redefinir el pasado dictatorial argentino por medio de su teatro, lo cual nos invita a reflexionar sobre la pertinencia de las dolorosas pero necesarias miradas retroactivas y sus efectos en pleno siglo XXI. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2021-12-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/xml https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4936 10.48162/rev.34.032 Cuadernos del CILHA; Núm. 35 (2021): Dosier: El giro performativo: perspectivas sobre el teatro latinoamericano contemporáneo; 1-27 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4936/4156 https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4936/4459 Derechos de autor 2021 Osvaldo Sandoval-Leon https://creativecommons.org/licenses/by-nc/4.0 |
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| author |
Sandoval-Leon, Osvaldo |
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Sandoval-Leon, Osvaldo (Pos)dictadura: estrategias contestatarias y disidentes en la dramaturgia de Susana Torres Molina (Pos)dictadura Teatro Violencia Trauma Testimonio (Post)dictatorship Theater Violence Trauma Testimony |
| author_facet |
Sandoval-Leon, Osvaldo |
| author_sort |
Sandoval-Leon, Osvaldo |
| title |
(Pos)dictadura: estrategias contestatarias y disidentes en la dramaturgia de Susana Torres Molina |
| title_short |
(Pos)dictadura: estrategias contestatarias y disidentes en la dramaturgia de Susana Torres Molina |
| title_full |
(Pos)dictadura: estrategias contestatarias y disidentes en la dramaturgia de Susana Torres Molina |
| title_fullStr |
(Pos)dictadura: estrategias contestatarias y disidentes en la dramaturgia de Susana Torres Molina |
| title_full_unstemmed |
(Pos)dictadura: estrategias contestatarias y disidentes en la dramaturgia de Susana Torres Molina |
| title_sort |
(pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of susana torres molina |
| description |
Considering the political nature of theater and the performative action in the theatrical space, this essay analyzes Argentinian dramatist Susana Torres Molina's trilogy Esa extraña forma de pasión (2013), La fundación (2019), and Un domingo en familia. The objective of this analysis is to observe the textual and performative practice of theater as a space for creation, negotiation, and encounter to display the effects of systematized violence against social and marginalized sectors of political opposition, taking into account a neoliberal culture, as well as necropolitical and religious models. Although it has been almost forty years since the return of democracy in Argentina, the social trauma, beyond being identified by the event that caused it, persists in the structure of its experience, reception, consumption, and progressive repetition in the present. In the last decade, Torres Molina has reconstructed and redefined the Argentine dictatorial past through her theater, which invites us to reflect on the relevance of the painful but necessary retroactive looks and their effects in the XXI century. |
| publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
| publishDate |
2021 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4936 |
| topic |
(Pos)dictadura Teatro Violencia Trauma Testimonio (Post)dictatorship Theater Violence Trauma Testimony |
| topic_facet |
(Pos)dictadura Teatro Violencia Trauma Testimonio (Post)dictatorship Theater Violence Trauma Testimony |
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1800221192778416128 |
