Trazo, distorsión, aberración (Francis Alÿs)

The essay analyzes the video work of visual artist Francis Alÿs. From Deleuze's aesthetic-philosophical perspective on cinema, this work proposes an approach to Alÿs's work based on the concept of image-affection. The argument of this article seeks to show that the relationship betwen perf...

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Detalles Bibliográficos
Autor principal: Barrios Lara, José Luis
Formato: Online
Lenguaje:spa
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2021
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5129
Descripción
Sumario:The essay analyzes the video work of visual artist Francis Alÿs. From Deleuze's aesthetic-philosophical perspective on cinema, this work proposes an approach to Alÿs's work based on the concept of image-affection. The argument of this article seeks to show that the relationship betwen performance and movement-image generates a paradox between the poetic image and the documentary image, which turns the image into an intensive surface, where affectation matters more than the representation.