Teatro Abierto como punto de llegada: Resistencias teatrales moleculares en la última dictadura Argentina
Taking as a kick the 40 years of the first cycle carried out by the emblematic Open Theater movement, in this article we intend to reconstruct the plots and articulations of the Buenos Aires theater community in the years before its irruption. Starting from the concept of "molecular resistance&...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Online |
| Lenguaje: | spa |
| Publicado: |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2022
|
| Materias: | |
| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/5670 |
| Sumario: | Taking as a kick the 40 years of the first cycle carried out by the emblematic Open Theater movement, in this article we intend to reconstruct the plots and articulations of the Buenos Aires theater community in the years before its irruption. Starting from the concept of "molecular resistance" (Brocato, 1986) we will seek to illuminate a series of campaigns and events that, according to the possibilities of the situation, allowed the development of discourses and practices of opposition to the last military dictatorship. In this way, we intend to deconstruct the character of "myth" (Barthes, 2003) of the cultural resistance to the dictatorship that has been condensed on the aforementioned theatrical movement. Together, we are interested in highlighting the role assumed by various sectors of the theatrical field in denouncing censorship since at least 1979. |
|---|
