Simular lo que ya se es. Dandismo y bibliofilia en Trance de Alan Pauls

This work is derived from a recently completed doctoral thesis. It studies the constitution of anachronism as a form of contemporary dandyism in Alan Pauls's narrative. In this article, I focus primarily on general critical-theoretical questions regarding the way in which Pauls, by intervening...

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Detalles Bibliográficos
Autor principal: Rodríguez Montiel, Emiliano
Formato: Online
Lenguaje:spa
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2023
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/6664
Descripción
Sumario:This work is derived from a recently completed doctoral thesis. It studies the constitution of anachronism as a form of contemporary dandyism in Alan Pauls's narrative. In this article, I focus primarily on general critical-theoretical questions regarding the way in which Pauls, by intervening in his autobiographical material, constructs the difference that makes him stand out as a dandy. And, detached from it, I analyze the author characters that populate Trance (Pauls, 2018), his last long-term essay. My hypothesis is that Pauls, by transferring the anachronism of his fiction to the characters responsible for self-figuration by him, not only seeks that they complete and encompass his figure of author, but also that they consolidate the anachronism that founds his literature.