Huellas deshumanizadas: Ser migrante en Chile. Una mirada comparatista e interdisciplinaria desde los estudios del “Capitalismo Gore”
Using Stuart Hall's concepts of Identity, Achille Mbembe's Necropolitics, and Slajov Zizek's violence, under Sayak Valencia's “Gore Capitalism” studies, this academic article proposes a comparative reading of Rodrigo Ramos' “Ciudad Berraca” and the documentary “A hope withou...
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| Formato: | Online |
| Lenguaje: | spa |
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2024
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/6796 |
| Sumario: | Using Stuart Hall's concepts of Identity, Achille Mbembe's Necropolitics, and Slajov Zizek's violence, under Sayak Valencia's “Gore Capitalism” studies, this academic article proposes a comparative reading of Rodrigo Ramos' “Ciudad Berraca” and the documentary “A hope without borders” carried out by the Archdiocese of Santiago de Chile, as devices to denounce the practices of capitalism turned into gore, where the migrant subject is considered as an uprooted, reified identity; a life stripped of its humanity, as a disposable product in violent capitalist reproduction |
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