El neobarroco: crítica a la modernidad capitalista
Based on the philosophical work of Bolivar Echeverría that addresses the baroque and modernity, the neo-baroque of the Cuban writer Severo Sarduy can be read from another place of interpretation, that places him in the Latin American discussions related to modernity. The latter, understood as an exp...
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2023
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I11-R112article-67972023-11-22T13:02:43Z The Neo-baroque: Critique to Capitalist Modernity El neobarroco: crítica a la modernidad capitalista Barrón Rosas, León Felipe heterogeneidad pliegue simulación Latinoamérica Caribe heterogeneity crease simulation Latin America Caribbean Based on the philosophical work of Bolivar Echeverría that addresses the baroque and modernity, the neo-baroque of the Cuban writer Severo Sarduy can be read from another place of interpretation, that places him in the Latin American discussions related to modernity. The latter, understood as an expansive civilizing project in its capitalist version, sweeps away with the differences in an attempt to homogenize and unify ways of life. Against this onslaught the diverse and heterogeneous resist to the logic seeking to impose. The neo-baroque as an aesthetic proposal that calls itself revolutionary collects several elements that represent that resistance, one of them is the baroque crease: representative of the heterogeneous and of that which cannot be catched by the unity of capitalist modernity. The aim of this work is to analize sarduyan neo-baroque under the topic of modernity and a particular place of it: Latin American modernity. In this sense, neo-baroque will be understood as an aesthetic-political answer linked to a tradition of Latin American thought and, in a more particular way, Caribbean, where it coincides with the work of intelectuals as Aimé Césaire and Édouard Glissant. A partir de la obra del filosófica de Bolívar Echeverría que aborda lo barroco y la modernidad, el neobarroco del escritor cubano Severo Sarduy puede ser leído desde otro espacio de interpretación, el cual lo coloca en las discusiones latinoamericanas relativas a la modernidad. Ésta última, entendida como proyecto civilizatorio expansivo en su versión capitalista, barre con las diferencias en un intento por homogeneizar y unificar los modos de vida. Ante esta acometida lo diverso o heterogéneo se resiste a la lógica que busca imponerse. El neobarroco como propuesta estética que se autodenomina como revolucionaria recoge varios elementos que representan esa resistencia, uno de ellos es el pliegue barroco: representante de lo heterogéneo y de aquello que no se deja atrapar por la unidad de la modernidad capitalista. El objetivo de este trabajo es analizar el neobarroco sarduyano bajo la tópica de la modernidad desde un espacio particular de ella: la modernidad latinoamericana. En este sentido, se comprenderá el neobarroco como una respuesta estético-política vinculada a una tradición de pensamiento latinoamericano y, de modo más particular, caribeño, donde coincide con la obra de intelectuales como Aimé Césaire y Édouard Glissant. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2023-11-22 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/6797 10.48162/rev.34.074 Cuadernos del CILHA; Núm. 39 (2023): Redescubriendo el paisaje en el cine del siglo XXI: identidades, espacios y reconfiguraciones; 1-28 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/6797/5969 Derechos de autor 2023 León Felipe Barrón Rosas |
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Cuadernos del CILHA |
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Cuadernos del CILHA |
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I-11 |
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R-112 |
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author |
Barrón Rosas, León Felipe |
spellingShingle |
Barrón Rosas, León Felipe El neobarroco: crítica a la modernidad capitalista heterogeneidad pliegue simulación Latinoamérica Caribe heterogeneity crease simulation Latin America Caribbean |
author_facet |
Barrón Rosas, León Felipe |
author_sort |
Barrón Rosas, León Felipe |
title |
El neobarroco: crítica a la modernidad capitalista |
title_short |
El neobarroco: crítica a la modernidad capitalista |
title_full |
El neobarroco: crítica a la modernidad capitalista |
title_fullStr |
El neobarroco: crítica a la modernidad capitalista |
title_full_unstemmed |
El neobarroco: crítica a la modernidad capitalista |
title_sort |
neo-baroque: critique to capitalist modernity |
description |
Based on the philosophical work of Bolivar Echeverría that addresses the baroque and modernity, the neo-baroque of the Cuban writer Severo Sarduy can be read from another place of interpretation, that places him in the Latin American discussions related to modernity. The latter, understood as an expansive civilizing project in its capitalist version, sweeps away with the differences in an attempt to homogenize and unify ways of life. Against this onslaught the diverse and heterogeneous resist to the logic seeking to impose. The neo-baroque as an aesthetic proposal that calls itself revolutionary collects several elements that represent that resistance, one of them is the baroque crease: representative of the heterogeneous and of that which cannot be catched by the unity of capitalist modernity. The aim of this work is to analize sarduyan neo-baroque under the topic of modernity and a particular place of it: Latin American modernity. In this sense, neo-baroque will be understood as an aesthetic-political answer linked to a tradition of Latin American thought and, in a more particular way, Caribbean, where it coincides with the work of intelectuals as Aimé Césaire and Édouard Glissant. |
publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
publishDate |
2023 |
url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/6797 |
topic |
heterogeneidad pliegue simulación Latinoamérica Caribe heterogeneity crease simulation Latin America Caribbean |
topic_facet |
heterogeneidad pliegue simulación Latinoamérica Caribe heterogeneity crease simulation Latin America Caribbean |
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