Literatura, prensa y divulgación científica: Rubén Darío en Buenos Aires

The circulation of Rubén Darío's texts in Latin American press has been regarded as emblematic of the emergence processes of the professional writer and the gradual autonomization of literature. However, only a portion of that production was later incorporated into books published by the author...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Quereilhac, Soledad
Formato: Online
Lenguaje:spa
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2024
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7323
id I11-R112article-7323
record_format ojs
institution Universidad Nacional de Cuyo
building Revistas en línea
filtrotop_str Revistas en línea
collection Cuadernos del CILHA
journal_title_str Cuadernos del CILHA
institution_str I-11
repository_str R-112
language spa
format Online
author Quereilhac, Soledad
spellingShingle Quereilhac, Soledad
Literatura, prensa y divulgación científica: Rubén Darío en Buenos Aires
narrativa fantástica
temprana ciencia ficción
literatura y prensa
divulgación científica
fantastic narrative
early science fiction
literature and press
scientific dissemination
author_facet Quereilhac, Soledad
author_sort Quereilhac, Soledad
title Literatura, prensa y divulgación científica: Rubén Darío en Buenos Aires
title_short Literatura, prensa y divulgación científica: Rubén Darío en Buenos Aires
title_full Literatura, prensa y divulgación científica: Rubén Darío en Buenos Aires
title_fullStr Literatura, prensa y divulgación científica: Rubén Darío en Buenos Aires
title_full_unstemmed Literatura, prensa y divulgación científica: Rubén Darío en Buenos Aires
title_sort literature, press, and scientific outreach: rubén darío in buenos aires
description The circulation of Rubén Darío's texts in Latin American press has been regarded as emblematic of the emergence processes of the professional writer and the gradual autonomization of literature. However, only a portion of that production was later incorporated into books published by the author or in subsequent posthumous compilations. The conception of this selection as his 'literary work' implies, in its aesthetic hierarchization, the removal of the texts from their original support and, above all, the erasure of the discursive dialogue that these texts engaged with others, present in the same or similar media. In this work, I am interested in analyzing how some fantastic stories by Rubén Darío, written and/or published in Buenos Aires in the last decade of the 19th century, were strongly linked to journalistic information and, specifically, the dissemination of scientific, pseudoscientific, and technical novelties circulating in newspapers and magazines. Rubén Darío maintained a close connection with the emergence of these novelties and skillfully filtered them into his literature as material for narrative fiction. He also seemed to capture, with productive sensitivity, the intersection of these scientific novelties with the occultism and traditional religiosity. The review of these stories in the context of their original publication will also allow the study, through a particular case, of a larger process: the development of the short story genre in Argentina, a form that modernized and consolidated in a constant interaction between, on the one hand, literary tradition, and on the other hand, the conditions that the press exerted on that narrative form.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2024
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7323
topic narrativa fantástica
temprana ciencia ficción
literatura y prensa
divulgación científica
fantastic narrative
early science fiction
literature and press
scientific dissemination
topic_facet narrativa fantástica
temprana ciencia ficción
literatura y prensa
divulgación científica
fantastic narrative
early science fiction
literature and press
scientific dissemination
work_keys_str_mv AT quereilhacsoledad literaturepressandscientificoutreachrubendarioinbuenosaires
AT quereilhacsoledad literaturaprensaydivulgacioncientificarubendarioenbuenosaires
_version_ 1800221202948554752
spelling I11-R112article-73232024-04-02T20:14:59Z Literature, Press, and Scientific Outreach: Rubén Darío in Buenos Aires Literatura, prensa y divulgación científica: Rubén Darío en Buenos Aires Quereilhac, Soledad narrativa fantástica temprana ciencia ficción literatura y prensa divulgación científica fantastic narrative early science fiction literature and press scientific dissemination The circulation of Rubén Darío's texts in Latin American press has been regarded as emblematic of the emergence processes of the professional writer and the gradual autonomization of literature. However, only a portion of that production was later incorporated into books published by the author or in subsequent posthumous compilations. The conception of this selection as his 'literary work' implies, in its aesthetic hierarchization, the removal of the texts from their original support and, above all, the erasure of the discursive dialogue that these texts engaged with others, present in the same or similar media. In this work, I am interested in analyzing how some fantastic stories by Rubén Darío, written and/or published in Buenos Aires in the last decade of the 19th century, were strongly linked to journalistic information and, specifically, the dissemination of scientific, pseudoscientific, and technical novelties circulating in newspapers and magazines. Rubén Darío maintained a close connection with the emergence of these novelties and skillfully filtered them into his literature as material for narrative fiction. He also seemed to capture, with productive sensitivity, the intersection of these scientific novelties with the occultism and traditional religiosity. The review of these stories in the context of their original publication will also allow the study, through a particular case, of a larger process: the development of the short story genre in Argentina, a form that modernized and consolidated in a constant interaction between, on the one hand, literary tradition, and on the other hand, the conditions that the press exerted on that narrative form. La circulación de los textos de Rubén Darío en la prensa latinoamericana y, en menor medida, europea, ha sido ponderada como emblemática de los procesos de emergencia del escritor profesional y de la paulatina autonomización de la literatura como práctica social específica. Sin embargo, sólo una porción de esa producción fue luego incorporada en libros publicados por el autor o en las posteriores compilaciones póstumas. La concepción de esta selección como su “obra literaria” lleva implícita, en su valoración y su jerarquización estética, la sustracción de los textos de su soporte original y, sobre todo, el borramiento del diálogo discursivo y de imaginarios que esos textos entablaron con otros, presentes en los mismos soportes o en soportes contiguos. En este trabajo, me interesa analizar la forma en que algunos cuentos fantásticos de Rubén Darío, escritos y/o publicados en Buenos Aires en la última década del siglo XIX, se vincularon fuertemente con la información periodística y, de manera puntual, con la divulgación de novedades científicas, pseudocientíficas y técnicas que circulaban en diarios y revistas. Rubén Darío mantuvo un vínculo estrecho con la irrupción de esas novedades y supo tamizarlas en su literatura como material para la ficción narrativa; asimismo pareció captar con productiva sensibilidad el cruce de estas novedades científicas con la dimensión de los ocultismos y la religiosidad tradicional. La revisión de estos relatos en el marco de su publicación original permitirá asimismo estudiar, a través de un caso particular, un proceso mayor: el desarrollo del género cuento en la Argentina, forma que se modernizó y consolidó “por fuera del libro”, en una permanente interacción entre, por un lado, la tradición literaria y, por otro, los condicionamientos y posibilidades que la prensa operó sobre esa forma narrativa. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2024-04-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7323 10.48162/rev.34.086 Cuadernos del CILHA; Núm. 40 (2024): Dossier: Literaturas más allá del librocentrismo. Un enfoque relacional de la cultura literaria latinoamericana; 1-30 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7323/6270 Derechos de autor 2024 Soledad Quereilhac