Estetas y pinturas: la obra de arte y el ojo deformado en Gautier y Proust
Between 1835 and 1839 Gautier published the novel Mademoiselle de Maupin (1835-1836) and the nouvelle La toison d'or (1839). Both Albert and Tiburce, as art lovers, were looking for a beautiful woman who resembled their artistic ideal. Gautier's aesthetic ideas about the conception of the...
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Centro de Literatura Comparada
2023
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/6908 |
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I11-R92article-69082023-06-28T23:37:02Z Aesthetes and Paintings: The Work of Art and the Deformed Eye in Gautier and Proust Estetas y pinturas: la obra de arte y el ojo deformado en Gautier y Proust Videla Martínez, Julieta Gautier Proust ojo deformado obra de arte Gautier Proust deformed eye work of art Between 1835 and 1839 Gautier published the novel Mademoiselle de Maupin (1835-1836) and the nouvelle La toison d'or (1839). Both Albert and Tiburce, as art lovers, were looking for a beautiful woman who resembled their artistic ideal. Gautier's aesthetic ideas about the conception of the beautiful will appear in the figures of aesthetes and dilettantes in nineteenth-century French literature up to the Recherche..., where the exceptional model who stands out for having his eye deformed by works of art, and consequently for contemplating other subjects as paintings, will be Charles Swann. This article studies what we will call the "deformed eye" of the artist-lovers in Mademoiselle de Maupin, La toison d'or, and Un amour de Swann (1913), which these characters acquire because of their delight in works of art and their search for the artistic ideal in life. We will propose that in the aforementioned works there is an eye deformed by the aesthetic delight in works of art, which seeks in reality or in life an object of desire defined as the beautiful ideal. Consequently, this search for the aesthetic ideal on the plane of life translates as the "sublimation" of erotic desire for the work of art, that is to say, the disinterested love of the theory of l'art pour l'art. Entre los años 1835 y 1839 Gautier publica la novela Mademoiselle de Maupin (1835-1836) y la nouvelle La toison d’or (1839). Tanto Albert como Tiburce, siendo amantes del arte, buscan a una mujer bella que se parezca a su ideal artístico. Las ideas estéticas de Gautier en torno a la concepción de lo bello aparecerán en las figuras de estetas y diletantes de la literatura francesa del siglo XIX hasta la Recherche…, donde el modelo excepcional que se destaca por tener el ojo deformado por las obras de arte y, en consecuencia, por contemplar a los otros sujetos como pinturas, será Charles Swann. En este artículo se estudia lo que llamaremos el “ojo deformado” que tienen los amantes-artistas en Mademoiselle de Maupin, La toison d’or y Un amour de Swann (1913) a causa del deleite por las obras de arte y la búsqueda del ideal artístico en la vida. Propondremos como hipótesis central que en las obras mencionadas hay un ojo deformado por el deleite estético de obras de arte que busca en la realidad o en la vida un objeto de deseo definido como lo bello ideal. En consecuencia, esta búsqueda del ideal estético en el plano de la vida se traduce como “sublimación” del deseo erótico por la obra de arte, es decir, el amor desinteresado de la teoría de l’art pour l’art. Centro de Literatura Comparada 2023-06-28 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/6908 10.48162/rev.54.024 Boletín de Literatura Comparada; Vol. 1 No. 48 (2023); 129-150 Boletín de Literatura Comparada; Vol. 1 Núm. 48 (2023); 129-150 2683-8397 0325-3775 spa https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/6908/5580 https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional de Cuyo |
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Revistas en línea |
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Boletín de Literatura Comparada |
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Boletín de Literatura Comparada |
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spa |
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Online |
| author |
Videla Martínez, Julieta |
| spellingShingle |
Videla Martínez, Julieta Estetas y pinturas: la obra de arte y el ojo deformado en Gautier y Proust Gautier Proust ojo deformado obra de arte Gautier Proust deformed eye work of art |
| author_facet |
Videla Martínez, Julieta |
| author_sort |
Videla Martínez, Julieta |
| title |
Estetas y pinturas: la obra de arte y el ojo deformado en Gautier y Proust |
| title_short |
Estetas y pinturas: la obra de arte y el ojo deformado en Gautier y Proust |
| title_full |
Estetas y pinturas: la obra de arte y el ojo deformado en Gautier y Proust |
| title_fullStr |
Estetas y pinturas: la obra de arte y el ojo deformado en Gautier y Proust |
| title_full_unstemmed |
Estetas y pinturas: la obra de arte y el ojo deformado en Gautier y Proust |
| title_sort |
aesthetes and paintings: the work of art and the deformed eye in gautier and proust |
| description |
Between 1835 and 1839 Gautier published the novel Mademoiselle de Maupin (1835-1836) and the nouvelle La toison d'or (1839). Both Albert and Tiburce, as art lovers, were looking for a beautiful woman who resembled their artistic ideal. Gautier's aesthetic ideas about the conception of the beautiful will appear in the figures of aesthetes and dilettantes in nineteenth-century French literature up to the Recherche..., where the exceptional model who stands out for having his eye deformed by works of art, and consequently for contemplating other subjects as paintings, will be Charles Swann. This article studies what we will call the "deformed eye" of the artist-lovers in Mademoiselle de Maupin, La toison d'or, and Un amour de Swann (1913), which these characters acquire because of their delight in works of art and their search for the artistic ideal in life. We will propose that in the aforementioned works there is an eye deformed by the aesthetic delight in works of art, which seeks in reality or in life an object of desire defined as the beautiful ideal. Consequently, this search for the aesthetic ideal on the plane of life translates as the "sublimation" of erotic desire for the work of art, that is to say, the disinterested love of the theory of l'art pour l'art. |
| publisher |
Centro de Literatura Comparada |
| publishDate |
2023 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/6908 |
| topic |
Gautier Proust ojo deformado obra de arte Gautier Proust deformed eye work of art |
| topic_facet |
Gautier Proust ojo deformado obra de arte Gautier Proust deformed eye work of art |
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