“Vete, no para ti es mi verde atavío”: Leopardi, Lérmontov y la naturaleza depredadora

In this paper, the poems “Oak Leaf” (1841) by Mikhail Lermontov and “XXXV. Imitation” (1835) by Giacomo Leopardi will be studied from a comparative perspective. In the first instance, both poems will be compared in both their thematic and formal structure together with the poem “La feuille” (1816) b...

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Autor principal: Brito, Valentín
Formato: Online
Lenguaje:spa
Publicado: Centro de Literatura Comparada 2023
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/7379
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spelling I11-R92article-73792023-11-30T03:36:29Z “Go away, not for you is my green attire”: Leopardi, Lérmontov and predatory Nature “Vete, no para ti es mi verde atavío”: Leopardi, Lérmontov y la naturaleza depredadora Brito, Valentín naturaleza depredación Leopardi Lérmontov voluntad Nature Predation Leopardi Lérmontov Will In this paper, the poems “Oak Leaf” (1841) by Mikhail Lermontov and “XXXV. Imitation” (1835) by Giacomo Leopardi will be studied from a comparative perspective. In the first instance, both poems will be compared in both their thematic and formal structure together with the poem “La feuille” (1816) by Vincent Antoine Arnault, and a series of parallels, differences and similaritiesbetween the three poems will be drawn. Secondly, the construction of nature in the poems of Leopardi and Lermontov will be analyzed based on the concepts of “evil nature”, “stepmother nature” and the conception of the ruling will of the world by Arthur Schopenhauer in The World as Will and Representation (1818) and The Will in Nature (1836). From this analysis we will try to verify the following hypotheses: the poems by Lermontov and Leopardi build a violent and destructive nature with all its members (animals, plants, humans) that we will opportunely define as “predatory nature”. In this sense, both poems anticipate Schopenhauer's proposals of the will to live, but in a poetic key. En el presente trabajo serán abordados de manera comparada los poemas “Hoja de roble” (1841) de Mijaíl Lérmontov y “XXXV. Imitación” (1835) de Giacomo Leopardi. En primera instancia, ambos poemas serán comparados en su estructura tanto temática como formal junto al poema “La feuille” (1816) de Vincent Antoine Arnault, y se trazará una serie de paralelismos, diferencias y similitudes entre los tres poemas. En segunda instancia, se analizará la construcción de la naturaleza en los poemas de Leopardi yLérmontov a partir de los conceptos de “naturaleza malvada”, “naturaleza madrastra” y de la concepción de la voluntad rectora del mundo de Arthur Schopenhauer en El mundo como voluntad y representación (1818) y La voluntad en la naturaleza (1836). De dicho análisis, intentaremos comprobar la siguiente hipótesis: los poemas de Lérmontov y Leopardi construyen una naturaleza violenta y destructiva con todos sus integrantes (animales, plantas, humanos) que definiremos oportunamente como “naturaleza depredadora”. En ese sentido, ambos poemas anticipan las propuestas schopenhauerianas de la voluntad de vivir, pero en clave poética. Centro de Literatura Comparada 2023-11-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/7379 10.48162/rev.54.026 Boletín de Literatura Comparada; Vol. 2 No. 48 (2023); 45-67 Boletín de Literatura Comparada; Vol. 2 Núm. 48 (2023); 45-67 2683-8397 0325-3775 spa https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/7379/6001 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Cuyo
building Revistas en línea
filtrotop_str Revistas en línea
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author Brito, Valentín
spellingShingle Brito, Valentín
“Vete, no para ti es mi verde atavío”: Leopardi, Lérmontov y la naturaleza depredadora
naturaleza
depredación
Leopardi
Lérmontov
voluntad
Nature
Predation
Leopardi
Lérmontov
Will
author_facet Brito, Valentín
author_sort Brito, Valentín
title “Vete, no para ti es mi verde atavío”: Leopardi, Lérmontov y la naturaleza depredadora
title_short “Vete, no para ti es mi verde atavío”: Leopardi, Lérmontov y la naturaleza depredadora
title_full “Vete, no para ti es mi verde atavío”: Leopardi, Lérmontov y la naturaleza depredadora
title_fullStr “Vete, no para ti es mi verde atavío”: Leopardi, Lérmontov y la naturaleza depredadora
title_full_unstemmed “Vete, no para ti es mi verde atavío”: Leopardi, Lérmontov y la naturaleza depredadora
title_sort “go away, not for you is my green attire”: leopardi, lérmontov and predatory nature
description In this paper, the poems “Oak Leaf” (1841) by Mikhail Lermontov and “XXXV. Imitation” (1835) by Giacomo Leopardi will be studied from a comparative perspective. In the first instance, both poems will be compared in both their thematic and formal structure together with the poem “La feuille” (1816) by Vincent Antoine Arnault, and a series of parallels, differences and similaritiesbetween the three poems will be drawn. Secondly, the construction of nature in the poems of Leopardi and Lermontov will be analyzed based on the concepts of “evil nature”, “stepmother nature” and the conception of the ruling will of the world by Arthur Schopenhauer in The World as Will and Representation (1818) and The Will in Nature (1836). From this analysis we will try to verify the following hypotheses: the poems by Lermontov and Leopardi build a violent and destructive nature with all its members (animals, plants, humans) that we will opportunely define as “predatory nature”. In this sense, both poems anticipate Schopenhauer's proposals of the will to live, but in a poetic key.
publisher Centro de Literatura Comparada
publishDate 2023
url https://revistas.uncu.edu.ar/ojs3/index.php/boletinliteratura/article/view/7379
topic naturaleza
depredación
Leopardi
Lérmontov
voluntad
Nature
Predation
Leopardi
Lérmontov
Will
topic_facet naturaleza
depredación
Leopardi
Lérmontov
voluntad
Nature
Predation
Leopardi
Lérmontov
Will
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