Escritura colectiva como resistencia: el colectivo Write like a girl
Creating collectively offers a countercultural gaze, as it opposes the patriarchal approach and offers a collaborative system of organization. It deviates from the traditional search for legitimation, understanding that the role of the critics and the canon has always been those of a father who lect...
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Instituto de Literaturas Modernas
2021
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I11-R93article-54882021-12-16T23:20:03Z Collective writing as resistance: The collective Write like a girl Escritura colectiva como resistencia: el colectivo Write like a girl Collective writing as resistance: The collective Write like a girl Agüero, Noelia Brondo, Leticia Correa Lust, Constanza Scelta, Marinés Urquiza, Victoria Colectivo Write like a girl Escritura colectiva Poesía feminista mendocina Collective Write like a girl Collective writing Feminist poetry Collective Write like a girl Collective writing Feminist poetry Creating collectively offers a countercultural gaze, as it opposes the patriarchal approach and offers a collaborative system of organization. It deviates from the traditional search for legitimation, understanding that the role of the critics and the canon has always been those of a father who lectures. In its performative nature, it offers other ways of circulation and opens new spaces for dissemination and reception, new interpretations, and new critiques: we are going after the genealogies of women, to whom we are indebted without knowing it. As stated by Laddaga (2006), we are facing new paradigms that understand art as a practical regime and propose aesthetics of resistance that seek to create forms of coexistence through the creation of common worlds in which, no matter the result, the work becomes the process. Under a practical concept of the arts, we propose to reflect on the actions carried out by the collective Write like a girl during the last five years. Writing then becomes a “contemporary action of its time” in the words of Nancy (2014) Lo colectivo ofrece una mirada contracultural, pues se opone a la mirada patriarcal y ofrece un sistema colaborativo de organización en los márgenes. Se desvía de la tradicional búsqueda de legitimación, entendiendo que el rol del crítico y del canon siempre fueron los de un padre que alecciona. En su carácter performativo, ofrece otras maneras de circulación y propone y abre nuevos espacios de difusión y recepción, nuevas lecturas y nuevas críticas: vamos a la búsqueda de las genealogías de mujeres, de las que somos deudoras sin saberlo. Tal como plantea Laddaga, estamos ante nuevos paradigmas que entienden al arte como un régimen práctico y proponen estéticas de la resistencia. Asimismo buscan crear formas de convivencia mediante la creación de mundos comunes en los que, no importa el resultado, puesto que la obra pasa a ser el proceso. Bajo el concepto de régimen práctico de las artes, nos proponemos reflexionar acerca de las acciones llevadas a cabo por el Colectivo durante los últimos cinco años. La escritura entonces deviene una acción “contemporánea de su tiempo” en palabras de Nancy. Instituto de Literaturas Modernas 2021-12-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/5488 Revista de literaturas modernas; Vol. 51 No. 2 (2021): Dossier: Literatura y actualidad; 13-28 Revista de Literaturas Modernas; Vol. 51 Núm. 2 (2021): Dossier: Literatura y actualidad; 13-28 Revista de literaturas modernas; V. 51 N. 2 (2021): Dossier: Literatura y actualidad; 13-28 2683-8389 0556-6134 spa https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/5488/4166 Derechos de autor 2021 Revista de Literaturas Modernas https://creativecommons.org/licenses/by-nc-sa/4.0/deed.es |
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Universidad Nacional de Cuyo |
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Revistas en línea |
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Revistas en línea |
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Revista de Literaturas Modernas |
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Revista de Literaturas Modernas |
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Online |
author |
Agüero, Noelia Brondo, Leticia Correa Lust, Constanza Scelta, Marinés Urquiza, Victoria |
spellingShingle |
Agüero, Noelia Brondo, Leticia Correa Lust, Constanza Scelta, Marinés Urquiza, Victoria Escritura colectiva como resistencia: el colectivo Write like a girl Colectivo Write like a girl Escritura colectiva Poesía feminista mendocina Collective Write like a girl Collective writing Feminist poetry Collective Write like a girl Collective writing Feminist poetry |
author_facet |
Agüero, Noelia Brondo, Leticia Correa Lust, Constanza Scelta, Marinés Urquiza, Victoria |
author_sort |
Agüero, Noelia |
title |
Escritura colectiva como resistencia: el colectivo Write like a girl |
title_short |
Escritura colectiva como resistencia: el colectivo Write like a girl |
title_full |
Escritura colectiva como resistencia: el colectivo Write like a girl |
title_fullStr |
Escritura colectiva como resistencia: el colectivo Write like a girl |
title_full_unstemmed |
Escritura colectiva como resistencia: el colectivo Write like a girl |
title_sort |
collective writing as resistance: the collective write like a girl |
description |
Creating collectively offers a countercultural gaze, as it opposes the patriarchal approach and offers a collaborative system of organization. It deviates from the traditional search for legitimation, understanding that the role of the critics and the canon has always been those of a father who lectures. In its performative nature, it offers other ways of circulation and opens new spaces for dissemination and reception, new interpretations, and new critiques: we are going after the genealogies of women, to whom we are indebted without knowing it. As stated by Laddaga (2006), we are facing new paradigms that understand art as a practical regime and propose aesthetics of resistance that seek to create forms of coexistence through the creation of common worlds in which, no matter the result, the work becomes the process. Under a practical concept of the arts, we propose to reflect on the actions carried out by the collective Write like a girl during the last five years. Writing then becomes a “contemporary action of its time” in the words of Nancy (2014) |
publisher |
Instituto de Literaturas Modernas |
publishDate |
2021 |
url |
https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/5488 |
topic |
Colectivo Write like a girl Escritura colectiva Poesía feminista mendocina Collective Write like a girl Collective writing Feminist poetry Collective Write like a girl Collective writing Feminist poetry |
topic_facet |
Colectivo Write like a girl Escritura colectiva Poesía feminista mendocina Collective Write like a girl Collective writing Feminist poetry Collective Write like a girl Collective writing Feminist poetry |
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