Locas mujeres: entre el archivo, el duelo y los afectos
Gabriela Mistral, an iconic figure of Hispanic American literature for her vast production and for having been awarded the Nobel Prize for Literature in 1945, was known for zealously guarding her private life. In 2011, Madwomen, a documentary directed by María Elena Wood, was released, presenting th...
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Instituto de Literaturas Modernas
2022
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/6349 |
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I11-R93article-63492022-12-01T12:12:15Z Madwomen: between the archive, mourning and affections Locas mujeres: entre el archivo, el duelo y los afectos Sosa, Cristina Patricia Archivo Documental Afectos Mistral Literatura Archive Documentary Affections Mistral Literature Gabriela Mistral, an iconic figure of Hispanic American literature for her vast production and for having been awarded the Nobel Prize for Literature in 1945, was known for zealously guarding her private life. In 2011, Madwomen, a documentary directed by María Elena Wood, was released, presenting the story of the relationship between the author and her administrator, Doris Dana. The film makes a movement of displacement from the sphere of intimacy to the field of the visible and in this gesture, it poses the question of the ethical position of exhibition. Likewise, a second question is activated in the face of the task of preservation shown in the film. After Mistral's death in 1957, the literary rights were inherited by Doris Dana. With her death in 2006, Doris Atkinson, her niece, took charge of gathering all the pieces, that is, unpublished writings, works and letters, as well as personal objects, and transferred them to Chile a year later. Love, death and memory emerge as themes in a crossing of voices that come and go in time and thus constitute an archive of affections. Figura icónica de las letras hispanoamericanas por su vasta producción y por haber sido galardonada con el premio Nobel de la Literatura en 1945, Gabriela Mistral se caracterizó por cuidar con celo su vida privada. En el año 2011 se estrenó Locas mujeres[1], un documental dirigido por María Elena Wood en el que se presenta la historia de la relación entre la autora y su albacea, Doris Dana. El filme realiza un movimiento de desplazamiento de la esfera de la intimidad al campo de lo visible y en ese gesto nos pone ante la pregunta por la posición ética de exhibición. Asimismo, una segunda pregunta se activa frente a la tarea de preservación que muestra la película. Tras la muerte de Mistral en 1957, los derechos literarios fueron heredados por Doris Dana. Con su muerte en 2006, Doris Atkinson, su sobrina, se encargó de juntar todas las piezas, esto es, escritos, obras y cartas sin publicar, además de objetos personales, y los traspasó a Chile un año después. Amor, muerte y memoria emergen como temas en un cruce de voces que van y vienen en el tiempo y constituyen así un archivo de afectos. Instituto de Literaturas Modernas 2022-12-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/6349 Revista de literaturas modernas; Vol. 52 No. 2 (2022): Dossier: Homage to Gabriela Mistral; 27-39 Revista de Literaturas Modernas; Vol. 52 Núm. 2 (2022): Dossier: Homenaje a Gabriela Mistral; 27-39 Revista de literaturas modernas; V. 52 N. 2 (2022): Dossier: Homenaje a Gabriela Mistral; 27-39 2683-8389 0556-6134 spa https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/6349/5173 Derechos de autor 2022 Cristina Patricia Sosa https://creativecommons.org/licenses/by-nc-sa/4.0/ |
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Universidad Nacional de Cuyo |
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Revistas en línea |
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Revista de Literaturas Modernas |
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Revista de Literaturas Modernas |
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R-93 |
| language |
spa |
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Online |
| author |
Sosa, Cristina Patricia |
| spellingShingle |
Sosa, Cristina Patricia Locas mujeres: entre el archivo, el duelo y los afectos Archivo Documental Afectos Mistral Literatura Archive Documentary Affections Mistral Literature |
| author_facet |
Sosa, Cristina Patricia |
| author_sort |
Sosa, Cristina Patricia |
| title |
Locas mujeres: entre el archivo, el duelo y los afectos |
| title_short |
Locas mujeres: entre el archivo, el duelo y los afectos |
| title_full |
Locas mujeres: entre el archivo, el duelo y los afectos |
| title_fullStr |
Locas mujeres: entre el archivo, el duelo y los afectos |
| title_full_unstemmed |
Locas mujeres: entre el archivo, el duelo y los afectos |
| title_sort |
madwomen: between the archive, mourning and affections |
| description |
Gabriela Mistral, an iconic figure of Hispanic American literature for her vast production and for having been awarded the Nobel Prize for Literature in 1945, was known for zealously guarding her private life. In 2011, Madwomen, a documentary directed by María Elena Wood, was released, presenting the story of the relationship between the author and her administrator, Doris Dana. The film makes a movement of displacement from the sphere of intimacy to the field of the visible and in this gesture, it poses the question of the ethical position of exhibition. Likewise, a second question is activated in the face of the task of preservation shown in the film. After Mistral's death in 1957, the literary rights were inherited by Doris Dana. With her death in 2006, Doris Atkinson, her niece, took charge of gathering all the pieces, that is, unpublished writings, works and letters, as well as personal objects, and transferred them to Chile a year later. Love, death and memory emerge as themes in a crossing of voices that come and go in time and thus constitute an archive of affections. |
| publisher |
Instituto de Literaturas Modernas |
| publishDate |
2022 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/literaturasmodernas/article/view/6349 |
| topic |
Archivo Documental Afectos Mistral Literatura Archive Documentary Affections Mistral Literature |
| topic_facet |
Archivo Documental Afectos Mistral Literatura Archive Documentary Affections Mistral Literature |
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AT sosacristinapatricia madwomenbetweenthearchivemourningandaffections AT sosacristinapatricia locasmujeresentreelarchivoeldueloylosafectos |
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1800220636238315520 |
