Modulaciones del discurso en El biombo de Jorgelina Loubet

The narrative of Jorgelina loubet (Argentjne 1918-1997) presents an ample field for the analysis of the narrative speech in its different modalities. In the present work 1 propase to analyze the special discursive configuration of the text in relation with the narrative voice and the focalization. W...

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Autor principal: Sales, Dolly
Formato: Online
Lenguaje:spa
Publicado: Instituto de Lingüística, Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2022
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/analeslinguistica/article/view/6356
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author Sales, Dolly
spellingShingle Sales, Dolly
Modulaciones del discurso en El biombo de Jorgelina Loubet
Discurso
Modulaciones del discurso
Discurso indirecto libre
Literatura argentina
Jorgelina Loubet
Speech
Modulations of the speech
Free indirect speech
Argentina Literature
Jorgelina Loubet
author_facet Sales, Dolly
author_sort Sales, Dolly
title Modulaciones del discurso en El biombo de Jorgelina Loubet
title_short Modulaciones del discurso en El biombo de Jorgelina Loubet
title_full Modulaciones del discurso en El biombo de Jorgelina Loubet
title_fullStr Modulaciones del discurso en El biombo de Jorgelina Loubet
title_full_unstemmed Modulaciones del discurso en El biombo de Jorgelina Loubet
title_sort modulaciones del discurso en el biombo de jorgelina loubet
description The narrative of Jorgelina loubet (Argentjne 1918-1997) presents an ample field for the analysis of the narrative speech in its different modalities. In the present work 1 propase to analyze the special discursive configuration of the text in relation with the narrative voice and the focalization. With this purpose, we circumscribe our analysis to the novel El biombo (1963) in which 1 operate the cJassification of the speech contributed by Beltrán Almeria (1992) who considers eighteen discursive varieties to express the voice or the thought in the impersonal narrative and in the personal. AJthough this classification is ample and detalled it has been insufficient for me at the time of approaching the detailed analysis of the alluded novel. Such fact has made me recognize a new modulation of free indirect speech that is not described by the alluded theoreticians, to which 1 have denominated indirect speech quasi free. This tenninology is inspired by the denomination that Graciela Reyes (1984) uses to talk about the free indirect speech: oratio quasi recta-. Denomination that the author uses to indicate the proximity of free indirect speech, with direct speech, -oratio recta.. in place of the possible identification that could be made of the free indirect speech, with indirect speech, guaranteed by the terminological similarity. In the same way, ín the case that 1 analyze - and adapting to me the terminology of Reyes (1984 )- 1 use the Latín adverb qua si in arder to a Ilude to a proper discursive modulation of the personal narrative that, being very near free indirect speech, it presents sorne conditions that make it different, as 1 will try to demonstrate.
publisher Instituto de Lingüística, Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
publishDate 2022
url https://revistas.uncu.edu.ar/ojs3/index.php/analeslinguistica/article/view/6356
topic Discurso
Modulaciones del discurso
Discurso indirecto libre
Literatura argentina
Jorgelina Loubet
Speech
Modulations of the speech
Free indirect speech
Argentina Literature
Jorgelina Loubet
topic_facet Discurso
Modulaciones del discurso
Discurso indirecto libre
Literatura argentina
Jorgelina Loubet
Speech
Modulations of the speech
Free indirect speech
Argentina Literature
Jorgelina Loubet
work_keys_str_mv AT salesdolly modulacionesdeldiscursoenelbiombodejorgelinaloubet
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spelling I11-R94article-63562022-11-17T14:35:30Z Modulaciones del discurso en El biombo de Jorgelina Loubet Sales, Dolly Discurso Modulaciones del discurso Discurso indirecto libre Literatura argentina Jorgelina Loubet Speech Modulations of the speech Free indirect speech Argentina Literature Jorgelina Loubet The narrative of Jorgelina loubet (Argentjne 1918-1997) presents an ample field for the analysis of the narrative speech in its different modalities. In the present work 1 propase to analyze the special discursive configuration of the text in relation with the narrative voice and the focalization. With this purpose, we circumscribe our analysis to the novel El biombo (1963) in which 1 operate the cJassification of the speech contributed by Beltrán Almeria (1992) who considers eighteen discursive varieties to express the voice or the thought in the impersonal narrative and in the personal. AJthough this classification is ample and detalled it has been insufficient for me at the time of approaching the detailed analysis of the alluded novel. Such fact has made me recognize a new modulation of free indirect speech that is not described by the alluded theoreticians, to which 1 have denominated indirect speech quasi free. This tenninology is inspired by the denomination that Graciela Reyes (1984) uses to talk about the free indirect speech: oratio quasi recta-. Denomination that the author uses to indicate the proximity of free indirect speech, with direct speech, -oratio recta.. in place of the possible identification that could be made of the free indirect speech, with indirect speech, guaranteed by the terminological similarity. In the same way, ín the case that 1 analyze - and adapting to me the terminology of Reyes (1984 )- 1 use the Latín adverb qua si in arder to a Ilude to a proper discursive modulation of the personal narrative that, being very near free indirect speech, it presents sorne conditions that make it different, as 1 will try to demonstrate. La narrativa de Jorgelina Loubet (argentina 1918-1997) presenta un amplio campo para el análisis del discurso narrativo en sus diferentes modalidades. En el presente trabajo me propongo analizar la especial configuración discursiva del texto en relación con la voz y la focalización narrativas. Con esta finalidad, circunscribimos nuestro análisis a la novela El biombo (1963) en la que funcionalizo la clasificación del discurso aportada por Beltrán Almeria (1992) quien considera dieciocho variedades discursivas para expresar la voz o el pensamiento en la narrativa impersonal y en la personal. Si bien esta clasificación es amplia y detallada me ha resultado insuficiente al momento de abordar el análisis pormenorizado de la obra aludida. Talhecho, me ha llevado a reconocer una nueva modulación deldiscurso indirecto libre, no descripta por los teóricos aludidos, a la que he denominado discurso quasi indirecto libre. Dicha tenninologia se inspira en la denominación que Graciela Reyes (1984) utiliza para referirse al discurso indirecto libre: oratio quasi recta-. Denominación ~ue la autora utiliza para indicar la cercanía del discurso indirecto libre, con el discurso directo, -oratio recta- en lugar de la posible identificación que podria hacerse del discurso indirecto libre, con el discurso indirecto, avalada por la similitud terminológica. Del mismo modo, en el caso que analizo -y apropiándome de la terminología de Reyes (1 984)- utilizo el adverbio latino quasi para aludir a una modulación discursiva propia de la narrativa personal que, siendo muy cercana al discurso indirecto libre, presenta algunas condiciones que lo hacen diferente, tal como intentaré demostrar. Instituto de Lingüística, Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2022-11-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/analeslinguistica/article/view/6356 Anales de Lingüística; Núm. 1 (2014); 31-46 2684-0669 0325-3597 spa https://revistas.uncu.edu.ar/ojs3/index.php/analeslinguistica/article/view/6356/5143 Derechos de autor 2014 Autor https://creativecommons.org/licenses/by/2.5/ar/