Neomuralismo y políticas culturales en México y Argentina: Análisis comparado de dos casos
This article seeks to question, from a perspective situated in Mexico and Argentina, the effects of the progressive implementation of cultural policies on the rise of neomuralism; starting from the premise that this renewed and self-managed movement has emerged in Latin American cities at the beginn...
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Instituto Multidisciplinario de Estudios Sociales Contemporáneos
2022
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/estudiosocontemp/article/view/4499 |
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I11-R98article-44992022-08-22T17:20:47Z Neomuralism and cultural policies in Mexico and Argentina: Comparative analysis of two cases Neomuralismo y políticas culturales en México y Argentina: Análisis comparado de dos casos Prévost, Caroline arte urbano, activismo artístico, espacio público street art, artistic activism, public space This article seeks to question, from a perspective situated in Mexico and Argentina, the effects of the progressive implementation of cultural policies on the rise of neomuralism; starting from the premise that this renewed and self-managed movement has emerged in Latin American cities at the beginning of the new millennium. Some works have indeed shown that it derived in Mexico from graffiti, which gained momentum in 1995 with the "chavos banda", while it had developed with great vigor in Argentina since the economic, political and institutional crisis of 2001. It therefore stems from popular mobilizations, i.e. outside official spaces, at a time when new identity dynamics were being built. However, we have observed in recent years a particular interest of institutions in this militant art, as well as a demand by artists to legally regulate their practice. In the light of a multidisciplinary theoretical base that mobilizes the fields of visual arts, sociology and urban studies, and based on a quantitative as well as qualitative analysis, we will then question the role that cultural policies can play in the recognition and valorization of neomuralism, examining its contributions, but also its limits. El artículo busca cuestionar, desde una perspectiva situada en México y Argentina, los efectos de la implementación progresiva de políticas culturales en el auge del neomura-lismo; partiendo de la premisa de que este movimiento renovado y autogestionado ha surgido en las ciudades latinoamericanas a principios del nuevo milenio. Algunos traba-jos han demostrado efectivamente que derivaba en México del grafiti, que cobró impul-so en 1995 con los “chavos banda”, mientras que se había desarrollado con gran vigor en Argentina a partir de la crisis económica, política e institucional del 2001. Emana por consiguiente de movilizaciones populares, es decir fuera de los espacios oficiales, en momentos en que iban construyéndose nuevas dinámicas identitarias. Sin embargo, he-mos observado en los últimos años un interés particular de las instituciones por este arte militante, así como una demanda de los artistas por regular legalmente su práctica. A la luz de una base teórica multidisciplinar que moviliza los campos de las artes visuales, la sociología y los estudios urbanos y basándonos en un análisis tanto cuantitativo como cualitativo, cuestionaremos entonces el papel que pueden desempeñar las políticas cultu-rales en el reconocimiento y la valorización del neomuralismo, examinando sus aporta-ciones, pero también sus límites. Instituto Multidisciplinario de Estudios Sociales Contemporáneos 2022-01-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/estudiosocontemp/article/view/4499 10.48162/rev.48.029 Estudios Sociales Contemporáneos; Núm. 26 (2022): La cultura como problema público. Avances y desafíos de las políticas culturales en el escenario latinoamericano del siglo XXI; 128-149 2451-5965 spa https://revistas.uncu.edu.ar/ojs3/index.php/estudiosocontemp/article/view/4499/4339 Derechos de autor 2021 Caroline Prévost https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
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Universidad Nacional de Cuyo |
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Revistas en línea |
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Revistas en línea |
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Estudios Sociales Contemporáneos |
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Estudios Sociales Contemporáneos |
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I-11 |
| repository_str |
R-98 |
| language |
spa |
| format |
Online |
| author |
Prévost, Caroline |
| spellingShingle |
Prévost, Caroline Neomuralismo y políticas culturales en México y Argentina: Análisis comparado de dos casos arte urbano, activismo artístico, espacio público street art, artistic activism, public space |
| author_facet |
Prévost, Caroline |
| author_sort |
Prévost, Caroline |
| title |
Neomuralismo y políticas culturales en México y Argentina: Análisis comparado de dos casos |
| title_short |
Neomuralismo y políticas culturales en México y Argentina: Análisis comparado de dos casos |
| title_full |
Neomuralismo y políticas culturales en México y Argentina: Análisis comparado de dos casos |
| title_fullStr |
Neomuralismo y políticas culturales en México y Argentina: Análisis comparado de dos casos |
| title_full_unstemmed |
Neomuralismo y políticas culturales en México y Argentina: Análisis comparado de dos casos |
| title_sort |
neomuralism and cultural policies in mexico and argentina: comparative analysis of two cases |
| description |
This article seeks to question, from a perspective situated in Mexico and Argentina, the effects of the progressive implementation of cultural policies on the rise of neomuralism; starting from the premise that this renewed and self-managed movement has emerged in Latin American cities at the beginning of the new millennium. Some works have indeed shown that it derived in Mexico from graffiti, which gained momentum in 1995 with the "chavos banda", while it had developed with great vigor in Argentina since the economic, political and institutional crisis of 2001. It therefore stems from popular mobilizations, i.e. outside official spaces, at a time when new identity dynamics were being built. However, we have observed in recent years a particular interest of institutions in this militant art, as well as a demand by artists to legally regulate their practice. In the light of a multidisciplinary theoretical base that mobilizes the fields of visual arts, sociology and urban studies, and based on a quantitative as well as qualitative analysis, we will then question the role that cultural policies can play in the recognition and valorization of neomuralism, examining its contributions, but also its limits.
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| publisher |
Instituto Multidisciplinario de Estudios Sociales Contemporáneos |
| publishDate |
2022 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/estudiosocontemp/article/view/4499 |
| topic |
arte urbano, activismo artístico, espacio público street art, artistic activism, public space |
| topic_facet |
arte urbano, activismo artístico, espacio público street art, artistic activism, public space |
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AT prevostcaroline neomuralismandculturalpoliciesinmexicoandargentinacomparativeanalysisoftwocases AT prevostcaroline neomuralismoypoliticasculturalesenmexicoyargentinaanalisiscomparadodedoscasos |
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