Dos bienales precursoras, dos senderos que se bifurcan
Posed within a degree seminar of this academic unit "”Mega-events of art. Contemporarycourses of a modern device"” and inscribed within the framework of a research project of its Secretary of Science and Technology "”Complex re-chainings between modern and contemporary artistic practi...
Guardado en:
| Autores principales: | , |
|---|---|
| Formato: | Online |
| Lenguaje: | spa |
| Publicado: |
Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo
2021
|
| Materias: | |
| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/4540 |
| id |
I11-R101article-4540 |
|---|---|
| record_format |
ojs |
| spelling |
I11-R101article-45402021-12-04T15:17:18Z Two precursor biennials, two forking paths Dos bienales precursoras, dos senderos que se bifurcan Galella, Leandro Giménez Hermida, Marcelo Modernidad Arte contemporáneo Megaeventos Latinoamérica Modernity Contemporary art Mega-events Latin America Posed within a degree seminar of this academic unit "”Mega-events of art. Contemporarycourses of a modern device"” and inscribed within the framework of a research project of its Secretary of Science and Technology "”Complex re-chainings between modern and contemporary artistic practices"”, this work proposes to compare the origins, motivations and trajectories of two international art exhibitions that are among the pioneers of this type of event: the BienalHispanoamericana de Arte and the Bienal de São Paulo. Born in 1951 only days apart, these are the earlier exhibitions of their kind after the appearance, more than fifty years ago, of the then very famous Venice Biennale. The panoramic review of both over approximately five years "”period that includes the meager existence of the first one"” allows us to make a series of points aimed at reflecting on the role that mega-events of art have had in a period of passage from the Modernity of art towards its contemporaneity, and in relation to a corpus that involves our region Planteado al interior de un seminario de grado"”Megamuestras de arte. Decursos contemporáneos de un dispositivo moderno"” e inscripto en el marco de un proyecto de investigación de UBACyT "”Reencadenamientos complejos entre las prácticas artísticas modernas y contemporáneas"”, este trabajo se propone comparar los orígenes, las motivaciones y los trayectos de dos muestras internacionales de arte que se encuentran entre las pioneras de este tipo de eventos: la Bienal Hispanoamericana de Arte y la Bienal de São Paulo. Nacidas en 1951 con sólo días de diferencia, se trata de las primeras muestras de este orden tras la aparición, más de medio siglo antes, de la ya por entonces muy afamada Biennale de Venecia. La revisión panorámica de ambas a lo largo de aproximadamente un lustro "”período que comprende la exigua existencia de la primera de ellas"” permite efectuar una serie de señalamientos orientados a reflexionar acerca del rol que las megamuestras de arte han tenido en un período de pasaje de la Modernidad del arte hacia su contemporaneidad y en relación a un corpus que involucra a nuestra región. Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo 2021-11-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares doble ciego. application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/4540 Cuadernos de Historia del Arte; Núm. 37 (2021): Artículos; 139-208 2618-5555 0070-1688 spa https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/4540/4096 Derechos de autor 2021 Marcelo Giménez Hermida https://creativecommons.org/licenses/by-nc-sa/3.0/deed.es |
| institution |
Universidad Nacional de Cuyo |
| building |
Revistas en línea |
| filtrotop_str |
Revistas en línea |
| collection |
CUADERNOS DE HISTORIA DEL ARTE |
| journal_title_str |
CUADERNOS DE HISTORIA DEL ARTE |
| institution_str |
I-11 |
| repository_str |
R-101 |
| language |
spa |
| format |
Online |
| author |
Galella, Leandro Giménez Hermida, Marcelo |
| spellingShingle |
Galella, Leandro Giménez Hermida, Marcelo Dos bienales precursoras, dos senderos que se bifurcan Modernidad Arte contemporáneo Megaeventos Latinoamérica Modernity Contemporary art Mega-events Latin America |
| author_facet |
Galella, Leandro Giménez Hermida, Marcelo |
| author_sort |
Galella, Leandro |
| title |
Dos bienales precursoras, dos senderos que se bifurcan |
| title_short |
Dos bienales precursoras, dos senderos que se bifurcan |
| title_full |
Dos bienales precursoras, dos senderos que se bifurcan |
| title_fullStr |
Dos bienales precursoras, dos senderos que se bifurcan |
| title_full_unstemmed |
Dos bienales precursoras, dos senderos que se bifurcan |
| title_sort |
two precursor biennials, two forking paths |
| description |
Posed within a degree seminar of this academic unit "”Mega-events of art. Contemporarycourses of a modern device"” and inscribed within the framework of a research project of its Secretary of Science and Technology "”Complex re-chainings between modern and contemporary artistic practices"”, this work proposes to compare the origins, motivations and trajectories of two international art exhibitions that are among the pioneers of this type of event: the BienalHispanoamericana de Arte and the Bienal de São Paulo. Born in 1951 only days apart, these are the earlier exhibitions of their kind after the appearance, more than fifty years ago, of the then very famous Venice Biennale. The panoramic review of both over approximately five years "”period that includes the meager existence of the first one"” allows us to make a series of points aimed at reflecting on the role that mega-events of art have had in a period of passage from the Modernity of art towards its contemporaneity, and in relation to a corpus that involves our region |
| publisher |
Instituto de Historia del Arte - Facultad de Filosofía y Letras - Universidad Nacional de Cuyo |
| publishDate |
2021 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cuadernoshistoarte/article/view/4540 |
| topic |
Modernidad Arte contemporáneo Megaeventos Latinoamérica Modernity Contemporary art Mega-events Latin America |
| topic_facet |
Modernidad Arte contemporáneo Megaeventos Latinoamérica Modernity Contemporary art Mega-events Latin America |
| work_keys_str_mv |
AT galellaleandro twoprecursorbiennialstwoforkingpaths AT gimenezhermidamarcelo twoprecursorbiennialstwoforkingpaths AT galellaleandro dosbienalesprecursorasdossenderosquesebifurcan AT gimenezhermidamarcelo dosbienalesprecursorasdossenderosquesebifurcan |
| _version_ |
1800220725517221888 |
