La memoria social en la dramaturgia argentina de la "generación del '60"
This dissertation (given during the course "Literature and social memory: Processes of memory in recent past Argentina and international culture of memory") accounts for my critical analysis of some plays by Roberto Cossa, Griselda Gambaro and Eduardo Pavlovsky, playwrights who belong to t...
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| Formato: | Online |
| Lenguaje: | spa |
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2017
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/1135 |
| Sumario: | This dissertation (given during the course "Literature and social memory: Processes of memory in recent past Argentina and international culture of memory") accounts for my critical analysis of some plays by Roberto Cossa, Griselda Gambaro and Eduardo Pavlovsky, playwrights who belong to the so-called "Generation of the 60s". In my review of the texts, I emphasize the representation of crimes committed by the state repressive apparatus during the last dictatorship in Argentina (1976-1983), analyzing the construction of historical and social memory, in both "reflexive realism" and "absurdism", the two most important aesthetics of the Argentine theater during the second half of the twentieth century. |
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