La memoria social en la dramaturgia argentina de la "generación del '60"
This dissertation (given during the course "Literature and social memory: Processes of memory in recent past Argentina and international culture of memory") accounts for my critical analysis of some plays by Roberto Cossa, Griselda Gambaro and Eduardo Pavlovsky, playwrights who belong to t...
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2017
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/1135 |
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I11-R103article-11352021-04-27T16:24:28Z The social memory in Argentinian plays by the generation of 1960 La memoria social en la dramaturgia argentina de la "generación del '60" Tarantuviez, Susana teatro argentino contemporáneo memoria colectiva Roberto Cossa Griselda Gambaro Eduardo Pavlovsky contemporary Argentinian theatre social memory Roberto Cossa Griselda Gambaro Eduardo Pavlovsky This dissertation (given during the course "Literature and social memory: Processes of memory in recent past Argentina and international culture of memory") accounts for my critical analysis of some plays by Roberto Cossa, Griselda Gambaro and Eduardo Pavlovsky, playwrights who belong to the so-called "Generation of the 60s". In my review of the texts, I emphasize the representation of crimes committed by the state repressive apparatus during the last dictatorship in Argentina (1976-1983), analyzing the construction of historical and social memory, in both "reflexive realism" and "absurdism", the two most important aesthetics of the Argentine theater during the second half of the twentieth century. Esta clase, dictada durante el curso de "Literatura y memoria social: Procesos de rememoración en la Argentina reciente y cultura internacional de la memoria", da cuenta de mi lectura crítico-interpretativa de algunos textos dramáticos pertenecientes a Roberto Cossa, Griselda Gambaro y Eduardo Pavlovsky, representantes de la llamada "Generación del ‘60". En mi examen de los textos hago hincapié en la representación de los crímenes cometidos por el aparato represivo estatal durante la uÌltima dictadura cívico-militar, analizando la construcción de la memoria histórico-social tanto en el "realismo reflexivo" como en el "absurdismo" argentino, las dos estéticas más importantes del teatro argentino de la segunda mitad del siglo XX. Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2017-11-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/1135 Boletín GEC; Núm. 21 (2017): Literatura y memoria social II; 11-44 2618-334X 1515-6117 spa https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/1135/948 |
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Universidad Nacional de Cuyo |
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Revistas en línea |
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Revistas en línea |
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Boletín GEC |
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spa |
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Online |
| author |
Tarantuviez, Susana |
| spellingShingle |
Tarantuviez, Susana La memoria social en la dramaturgia argentina de la "generación del '60" teatro argentino contemporáneo memoria colectiva Roberto Cossa Griselda Gambaro Eduardo Pavlovsky contemporary Argentinian theatre social memory Roberto Cossa Griselda Gambaro Eduardo Pavlovsky |
| author_facet |
Tarantuviez, Susana |
| author_sort |
Tarantuviez, Susana |
| title |
La memoria social en la dramaturgia argentina de la "generación del '60" |
| title_short |
La memoria social en la dramaturgia argentina de la "generación del '60" |
| title_full |
La memoria social en la dramaturgia argentina de la "generación del '60" |
| title_fullStr |
La memoria social en la dramaturgia argentina de la "generación del '60" |
| title_full_unstemmed |
La memoria social en la dramaturgia argentina de la "generación del '60" |
| title_sort |
social memory in argentinian plays by the generation of 1960 |
| description |
This dissertation (given during the course "Literature and social memory: Processes of memory in recent past Argentina and international culture of memory") accounts for my critical analysis of some plays by Roberto Cossa, Griselda Gambaro and Eduardo Pavlovsky, playwrights who belong to the so-called "Generation of the 60s". In my review of the texts, I emphasize the representation of crimes committed by the state repressive apparatus during the last dictatorship in Argentina (1976-1983), analyzing the construction of historical and social memory, in both "reflexive realism" and "absurdism", the two most important aesthetics of the Argentine theater during the second half of the twentieth century. |
| publisher |
Facultad de Filosofía y Letras, Universidad Nacional de Cuyo |
| publishDate |
2017 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/1135 |
| topic |
teatro argentino contemporáneo memoria colectiva Roberto Cossa Griselda Gambaro Eduardo Pavlovsky contemporary Argentinian theatre social memory Roberto Cossa Griselda Gambaro Eduardo Pavlovsky |
| topic_facet |
teatro argentino contemporáneo memoria colectiva Roberto Cossa Griselda Gambaro Eduardo Pavlovsky contemporary Argentinian theatre social memory Roberto Cossa Griselda Gambaro Eduardo Pavlovsky |
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1800220781650640896 |
