Los laberintos narrativos de Roberto Bolaño

This article is an analysis of the short story “Laberinto” by Roberto Bolaño, in which photography is at the center of a device that includes, activates, and grounds fabulation and invention. The author appeals to a kind of narrative ekphrasis, a procedure that involves introducing a story by descri...

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Detalles Bibliográficos
Autor principal: Moreno, Fernando
Formato: Online
Lenguaje:spa
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2022
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6560
Descripción
Sumario:This article is an analysis of the short story “Laberinto” by Roberto Bolaño, in which photography is at the center of a device that includes, activates, and grounds fabulation and invention. The author appeals to a kind of narrative ekphrasis, a procedure that involves introducing a story by describing the story represented in an object or in an artistic work. The result is a story that breaks away from the strictly realistic representation and proposes a labyrinthine space, made of many paths in which multiple and disparate voices resonate through intratextuality and intertextuality. All of this contributes to the realization of a labyrinthine writing, a discursive poetics of the labyrinth which ends up becoming a determining factor in questioning the possibilities of language and the freedoms of imagination in its task of building and unfolding worlds and senses.