Los laberintos narrativos de Roberto Bolaño

This article is an analysis of the short story “Laberinto” by Roberto Bolaño, in which photography is at the center of a device that includes, activates, and grounds fabulation and invention. The author appeals to a kind of narrative ekphrasis, a procedure that involves introducing a story by descri...

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Autor principal: Moreno, Fernando
Formato: Online
Lenguaje:spa
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2022
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Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6560
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spelling I11-R103article-65602022-12-24T11:41:22Z The narrative labyrinths of Roberto Bolaño Los laberintos narrativos de Roberto Bolaño Moreno, Fernando Bolaño cuento fotografía intertextualidad poética del laberinto Bolaño short story photography intertextuality poetics of the labyrinth This article is an analysis of the short story “Laberinto” by Roberto Bolaño, in which photography is at the center of a device that includes, activates, and grounds fabulation and invention. The author appeals to a kind of narrative ekphrasis, a procedure that involves introducing a story by describing the story represented in an object or in an artistic work. The result is a story that breaks away from the strictly realistic representation and proposes a labyrinthine space, made of many paths in which multiple and disparate voices resonate through intratextuality and intertextuality. All of this contributes to the realization of a labyrinthine writing, a discursive poetics of the labyrinth which ends up becoming a determining factor in questioning the possibilities of language and the freedoms of imagination in its task of building and unfolding worlds and senses. Este artículo es un análisis del cuento “Laberinto”, de Roberto Bolaño, en el que la fotografía se sitúa en el centro de un dispositivo que incluye, activa y fundamenta la fabulación y la invención. El autor apela a una suerte écfrasis narrativa, un procedimiento que implica introducir un relato al describir la historia representada en un objeto o en una obra artística. El resultado es un relato, que se separa de la representación estrictamente realista y que propone un espacio laberíntico, hecho de muchos caminos y senderos en el que resuenan voces múltiples y dispares y al que acuden la intratextualidad y la intertextualidad. Todo esto contribuye a la concreción de una escritura laberíntica, de una poética discursiva del laberinto, que termina por erigirse en factor determinante de un cuestionamiento a propósito de las posibilidades del lenguaje y de las libertades de la imaginación en su tarea de construir y desplegar mundos y sentidos. Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2022-12-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos evaluados por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6560 10.48162/rev.43.024 Boletín GEC; Núm. 30 (2022): Literatura y otros lenguajes artísticos: manifestaciones contemporáneas; 39-53 2618-334X 1515-6117 spa https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6560/5351 Derechos de autor 2022 Fernando Moreno http://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Nacional de Cuyo
building Revistas en línea
filtrotop_str Revistas en línea
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author Moreno, Fernando
spellingShingle Moreno, Fernando
Los laberintos narrativos de Roberto Bolaño
Bolaño
cuento
fotografía
intertextualidad
poética del laberinto
Bolaño
short story
photography
intertextuality
poetics of the labyrinth
author_facet Moreno, Fernando
author_sort Moreno, Fernando
title Los laberintos narrativos de Roberto Bolaño
title_short Los laberintos narrativos de Roberto Bolaño
title_full Los laberintos narrativos de Roberto Bolaño
title_fullStr Los laberintos narrativos de Roberto Bolaño
title_full_unstemmed Los laberintos narrativos de Roberto Bolaño
title_sort narrative labyrinths of roberto bolaño
description This article is an analysis of the short story “Laberinto” by Roberto Bolaño, in which photography is at the center of a device that includes, activates, and grounds fabulation and invention. The author appeals to a kind of narrative ekphrasis, a procedure that involves introducing a story by describing the story represented in an object or in an artistic work. The result is a story that breaks away from the strictly realistic representation and proposes a labyrinthine space, made of many paths in which multiple and disparate voices resonate through intratextuality and intertextuality. All of this contributes to the realization of a labyrinthine writing, a discursive poetics of the labyrinth which ends up becoming a determining factor in questioning the possibilities of language and the freedoms of imagination in its task of building and unfolding worlds and senses.
publisher Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
publishDate 2022
url https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/6560
topic Bolaño
cuento
fotografía
intertextualidad
poética del laberinto
Bolaño
short story
photography
intertextuality
poetics of the labyrinth
topic_facet Bolaño
cuento
fotografía
intertextualidad
poética del laberinto
Bolaño
short story
photography
intertextuality
poetics of the labyrinth
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