Tess, entre el drama y la violencia: Interpretación de un devenir mujer en el siglo victoriano
In this text, I approach a reading of the film Tess, made by Roman Polanski in 1979, as a trace of traces that describe, not without a certain critical realism, the game of truths about a woman in agricultural England of the Victorian century, in its second half. A reality that perhaps still is ours...
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| Formato: | Online |
| Lenguaje: | spa |
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Centro de Investigaciones Interdisciplinarias de Filosofía en la Escuela (CIIFE)
2020
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/saberesypracticas/article/view/4214 |
| Sumario: | In this text, I approach a reading of the film Tess, made by Roman Polanski in 1979, as a trace of traces that describe, not without a certain critical realism, the game of truths about a woman in agricultural England of the Victorian century, in its second half. A reality that perhaps still is ours today, as children of modernity in its decline and as women challenged and subjectified in a bundle of relationships and possibilities that highlight and dispute the truths about themselves, in an ontological view of our present. |
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