Fragmento, memoria y escritura: Museo de la Bruma de Galo Ghigliotto
This article analyzes the metaphorical configuration of fragmentation in the novel Museo de la Bruma (2019) by the Chilean writer Galo Ghigliotto from the intersection between literary practices and social discourses. The hypothesis maintains that the notion of fragment interweaves diverse temporali...
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Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
2024
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7265 |
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I11-R112article-72652024-04-02T20:13:37Z Fragment, Memory and Writing: Museo de la Bruma by Galo Ghiliotto Fragmento, memoria y escritura: Museo de la Bruma de Galo Ghigliotto Cabrera, Federico Galo Ghigliotto fragmento memoria colectiva escritura archivo Galo Ghiogliotto fragment collective memory writing archive This article analyzes the metaphorical configuration of fragmentation in the novel Museo de la Bruma (2019) by the Chilean writer Galo Ghigliotto from the intersection between literary practices and social discourses. The hypothesis maintains that the notion of fragment interweaves diverse temporalities and territorialities that allude to writing as a political device and to the construction of collective memories on which the idea of nation is sustained. The analysis is presented in two large sections referring to the fragmentation of the story and the fragmentation of the narrative plot. Finally, a series of reflections are noted about the dialogue between memory, writing and poetic imagination. Este artículo se propone analizar la configuración metafórica de la fragmentariedad en la novela Museo de la Bruma (2019) del escritor chileno Galo Ghigliotto desde una perspectiva teórica y metodológica que atiende al cruce entre prácticas literarias y discursos sociales. La hipótesis sostiene que la figura de la fragmentariedad (textual y simbólica) entrelaza temporalidades y territorialidades diversas que aluden a la escritura en sí misma como un dispositivo político y a la construcción de las memorias colectivas sobre las que se sostiene la idea de nación. De acuerdo con lo señalado, el análisis se presenta en dos grandes apartados referidos a la fragmentariedad de las historias que se cuentan y a la fragmentariedad de la trama narrativa. Por último, se apuntan una serie de reflexiones acerca del diálogo entre memoria, escritura e imaginación poética. Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2024-03-04 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7265 10.48162/rev.34.079 Cuadernos del CILHA; Núm. 40 (2024): Dossier: Literaturas más allá del librocentrismo. Un enfoque relacional de la cultura literaria latinoamericana; 1-13 1852-9615 1515-6125 spa https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7265/6231 Derechos de autor 2024 Federico Cabrera |
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Cabrera, Federico |
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Cabrera, Federico Fragmento, memoria y escritura: Museo de la Bruma de Galo Ghigliotto Galo Ghigliotto fragmento memoria colectiva escritura archivo Galo Ghiogliotto fragment collective memory writing archive |
| author_facet |
Cabrera, Federico |
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Cabrera, Federico |
| title |
Fragmento, memoria y escritura: Museo de la Bruma de Galo Ghigliotto |
| title_short |
Fragmento, memoria y escritura: Museo de la Bruma de Galo Ghigliotto |
| title_full |
Fragmento, memoria y escritura: Museo de la Bruma de Galo Ghigliotto |
| title_fullStr |
Fragmento, memoria y escritura: Museo de la Bruma de Galo Ghigliotto |
| title_full_unstemmed |
Fragmento, memoria y escritura: Museo de la Bruma de Galo Ghigliotto |
| title_sort |
fragment, memory and writing: museo de la bruma by galo ghiliotto |
| description |
This article analyzes the metaphorical configuration of fragmentation in the novel Museo de la Bruma (2019) by the Chilean writer Galo Ghigliotto from the intersection between literary practices and social discourses. The hypothesis maintains that the notion of fragment interweaves diverse temporalities and territorialities that allude to writing as a political device and to the construction of collective memories on which the idea of nation is sustained. The analysis is presented in two large sections referring to the fragmentation of the story and the fragmentation of the narrative plot. Finally, a series of reflections are noted about the dialogue between memory, writing and poetic imagination. |
| publisher |
Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) |
| publishDate |
2024 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/7265 |
| topic |
Galo Ghigliotto fragmento memoria colectiva escritura archivo Galo Ghiogliotto fragment collective memory writing archive |
| topic_facet |
Galo Ghigliotto fragmento memoria colectiva escritura archivo Galo Ghiogliotto fragment collective memory writing archive |
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AT cabrerafederico fragmentmemoryandwritingmuseodelabrumabygaloghiliotto AT cabrerafederico fragmentomemoriayescrituramuseodelabrumadegaloghigliotto |
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1800221202197774336 |
