El planteo disruptivo del TNT en el escenario cultural mendocino a comienzo de la década de los ’70
In the mid- ‘60s different spaces emerged in Mendoza province producing changes in the local cultural scenario. Some of them, similar to the national perspective, acquired an unofficial logic in contrast to those institutions which were recognized and legitimized by the critic. Such was the case of...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Online |
| Lenguaje: | spa |
| Publicado: |
Maestría en Estudios Latinoamericanos, Facultad de Ciencias Políticas y Sociales, Universidad Nacional de Cuyo
2023
|
| Materias: | |
| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/mel/article/view/5886 |
| id |
I11-R118article-5886 |
|---|---|
| record_format |
ojs |
| spelling |
I11-R118article-58862023-10-31T21:10:22Z The TNT disruptive approach in the cultural scenario of Mendoza at the beginning of the ‘70s El planteo disruptivo del TNT en el escenario cultural mendocino a comienzo de la década de los ’70 Ramírez, Ana theatre cultural spaces counter-speeches artistic circulation teatro espacios culturales contradiscursos circulación artística In the mid- ‘60s different spaces emerged in Mendoza province producing changes in the local cultural scenario. Some of them, similar to the national perspective, acquired an unofficial logic in contrast to those institutions which were recognized and legitimized by the critic. Such was the case of Taller Nuestro Teatro (TNT) in which by the end of 1970, it brought together a wide variety of cultural activities. TNT was an alternative cultural space of expression and artistic circulation in which counter-speeches were developed and they were presented by actors who did not acknowledge and accept the dominant speech. Based on the different cultural productions and the new ways of artistic circulation, they tried to argue against and to subvert the dominant logics and the political power repressive measures. The purpose of the following article is to reconstruct the objectives and projections made by its directors, Carlos Owens and Maximino Moyano, at the time of the inauguration of the space based on the analysis of the Mendoza press, the Claves cultural magazine and the testimonies of some of its protagonists. A mediados de la década de los ’60 surgieron en la provincia de Mendoza distintos espacios que insuflaron nuevos aires al escenario cultural local. Algunos de ellos, a semejanza del panorama nacional, adquirieron una lógica extraoficial con respecto a aquellas instituciones consagradas y legitimadas por la crítica. Este fue el caso del Taller Nuestro Teatro (TNT) que desde finales de 1970 se transformó en aglutinante de una gran variedad de actividades culturales. El TNT fue un espacio cultural alternativo de expresión y circulación artística en el que se desarrollaron contra-discursos presentados por actores que se negaron a reconocer y a aceptar el discurso hegemónico. A partir de las distintas producciones culturales y los nuevos modos de circulación artística intentaron discutir y subvertir las lógicas de dominación y las medidas represivas del poder político. El propósito del siguiente artículo es reconstruir los objetivos y proyecciones que realizaron sus directores, Carlos Owens y Maximino Moyano, al momento de inauguración del espacio a partir del análisis de la prensa mendocina, la revista cultural Claves y los testimonios de algunos de sus protagonistas. Maestría en Estudios Latinoamericanos, Facultad de Ciencias Políticas y Sociales, Universidad Nacional de Cuyo 2023-10-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo invitado application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/mel/article/view/5886 Algarrobo-MEL; Vol. 11 (2023); 1-13 2344-9179 spa https://revistas.uncu.edu.ar/ojs3/index.php/mel/article/view/5886/5916 Derechos de autor 2023 Ana Ramírez https://creativecommons.org/licenses/by-nc-sa/2.5/ar/ |
| institution |
Universidad Nacional de Cuyo |
| building |
Revistas en línea |
| filtrotop_str |
Revistas en línea |
| collection |
Algarrobo-MEL |
| journal_title_str |
Algarrobo-MEL |
| institution_str |
I-11 |
| repository_str |
R-118 |
| language |
spa |
| format |
Online |
| author |
Ramírez, Ana |
| spellingShingle |
Ramírez, Ana El planteo disruptivo del TNT en el escenario cultural mendocino a comienzo de la década de los ’70 theatre cultural spaces counter-speeches artistic circulation teatro espacios culturales contradiscursos circulación artística |
| author_facet |
Ramírez, Ana |
| author_sort |
Ramírez, Ana |
| title |
El planteo disruptivo del TNT en el escenario cultural mendocino a comienzo de la década de los ’70 |
| title_short |
El planteo disruptivo del TNT en el escenario cultural mendocino a comienzo de la década de los ’70 |
| title_full |
El planteo disruptivo del TNT en el escenario cultural mendocino a comienzo de la década de los ’70 |
| title_fullStr |
El planteo disruptivo del TNT en el escenario cultural mendocino a comienzo de la década de los ’70 |
| title_full_unstemmed |
El planteo disruptivo del TNT en el escenario cultural mendocino a comienzo de la década de los ’70 |
| title_sort |
tnt disruptive approach in the cultural scenario of mendoza at the beginning of the ‘70s |
| description |
In the mid- ‘60s different spaces emerged in Mendoza province producing changes in the local cultural scenario. Some of them, similar to the national perspective, acquired an unofficial logic in contrast to those institutions which were recognized and legitimized by the critic. Such was the case of Taller Nuestro Teatro (TNT) in which by the end of 1970, it brought together a wide variety of cultural activities. TNT was an alternative cultural space of expression and artistic circulation in which counter-speeches were developed and they were presented by actors who did not acknowledge and accept the dominant speech. Based on the different cultural productions and the new ways of artistic circulation, they tried to argue against and to subvert the dominant logics and the political power repressive measures. The purpose of the following article is to reconstruct the objectives and projections made by its directors, Carlos Owens and Maximino Moyano, at the time of the inauguration of the space based on the analysis of the Mendoza press, the Claves cultural magazine and the testimonies of some of its protagonists. |
| publisher |
Maestría en Estudios Latinoamericanos, Facultad de Ciencias Políticas y Sociales, Universidad Nacional de Cuyo |
| publishDate |
2023 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/mel/article/view/5886 |
| topic |
theatre cultural spaces counter-speeches artistic circulation teatro espacios culturales contradiscursos circulación artística |
| topic_facet |
theatre cultural spaces counter-speeches artistic circulation teatro espacios culturales contradiscursos circulación artística |
| work_keys_str_mv |
AT ramirezana thetntdisruptiveapproachintheculturalscenarioofmendozaatthebeginningofthe70s AT ramirezana elplanteodisruptivodeltntenelescenarioculturalmendocinoacomienzodeladecadadelos70 AT ramirezana tntdisruptiveapproachintheculturalscenarioofmendozaatthebeginningofthe70s |
| _version_ |
1800221330407161856 |
