El arte como manifestación del poder en la Roma Imperial: la propaganda trajanea en los monumentos

Art is usually considered as a subjective and aesthetic expression of an artist whose implications are a double movement. On the one hand, the work manifests the subjectivity of the one who has executed it; but also on the other, it implies the aesthetic delight of those who observe it.However, art...

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Detalles Bibliográficos
Autor principal: Zaccaria Defferrire, Laura I.
Formato: Online
Lenguaje:spa
Publicado: Asociación de Estudios Interdisciplinarios sobre Europa (ADEISE) 2020
Materias:
Art
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/europa/article/view/3968
Descripción
Sumario:Art is usually considered as a subjective and aesthetic expression of an artist whose implications are a double movement. On the one hand, the work manifests the subjectivity of the one who has executed it; but also on the other, it implies the aesthetic delight of those who observe it.However, art also transmits ideas, messages, symbols, intentions, which have a high social impact; therefore the aesthetic work becomes another way of communication. In this way, the authority can use art as a propagandistic element, as a discursive resource, to install an idea that arises from the ruler (sender) to those who are governed (receiver).The intention of the present work is to analyze the imperial propaganda of Rome in the second century of our era, specifically in the figure the Emperor Trajan by means of the monuments erected in his honor.