El arte como manifestación del poder en la Roma Imperial: la propaganda trajanea en los monumentos
Art is usually considered as a subjective and aesthetic expression of an artist whose implications are a double movement. On the one hand, the work manifests the subjectivity of the one who has executed it; but also on the other, it implies the aesthetic delight of those who observe it.However, art...
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Asociación de Estudios Interdisciplinarios sobre Europa (ADEISE)
2020
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/europa/article/view/3968 |
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I11-R87article-39682020-10-09T15:42:47Z Art as a manifestation of Power in Imperial Rome: the Trajan Propagation in the Monuments El arte como manifestación del poder en la Roma Imperial: la propaganda trajanea en los monumentos Zaccaria Defferrire, Laura I. Imperio Romano Trajano Legitimación del poder Arte Monumentos Roman Empire Trajan Legitimization of power Art Monuments Art is usually considered as a subjective and aesthetic expression of an artist whose implications are a double movement. On the one hand, the work manifests the subjectivity of the one who has executed it; but also on the other, it implies the aesthetic delight of those who observe it.However, art also transmits ideas, messages, symbols, intentions, which have a high social impact; therefore the aesthetic work becomes another way of communication. In this way, the authority can use art as a propagandistic element, as a discursive resource, to install an idea that arises from the ruler (sender) to those who are governed (receiver).The intention of the present work is to analyze the imperial propaganda of Rome in the second century of our era, specifically in the figure the Emperor Trajan by means of the monuments erected in his honor. Suele considerarse al arte como una expresión subjetiva y estética de un artista que tiene como implicancias un doble movimiento. Por una parte, la obra manifiesta la subjetividad de aquel que la ha ejecutado; pero, por otra, implica el deleite estético de aquellos que la observan.Sin embargo, el arte también transmite ideas, mensajes, símbolos, intenciones, que cuentan con un alto impacto social, por lo tanto la obra estética se convierte en otra manera de comunicación. De este modo, la autoridad puede utilizar el arte como elemento propagandístico, a modo de recurso discursivo, para instalar una idea surgida desde el gobernante (emisor) hacia los gobernados (receptor).La intención del presente trabajo es analizar la propaganda imperial de Roma en el siglo II de nuestra era, específicamente en la figura el emperador Trajano por medio de los monumentos erigidos en su honor. Asociación de Estudios Interdisciplinarios sobre Europa (ADEISE) 2020-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.uncu.edu.ar/ojs3/index.php/europa/article/view/3968 Revista EUROPA; Núm. 11 (2020); 171-189 1515-6133 spa https://revistas.uncu.edu.ar/ojs3/index.php/europa/article/view/3968/2849 |
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Universidad Nacional de Cuyo |
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Revistas en línea |
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Revistas en línea |
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Revista EUROPA |
| journal_title_str |
Revista EUROPA |
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I-11 |
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R-87 |
| language |
spa |
| format |
Online |
| author |
Zaccaria Defferrire, Laura I. |
| spellingShingle |
Zaccaria Defferrire, Laura I. El arte como manifestación del poder en la Roma Imperial: la propaganda trajanea en los monumentos Imperio Romano Trajano Legitimación del poder Arte Monumentos Roman Empire Trajan Legitimization of power Art Monuments |
| author_facet |
Zaccaria Defferrire, Laura I. |
| author_sort |
Zaccaria Defferrire, Laura I. |
| title |
El arte como manifestación del poder en la Roma Imperial: la propaganda trajanea en los monumentos |
| title_short |
El arte como manifestación del poder en la Roma Imperial: la propaganda trajanea en los monumentos |
| title_full |
El arte como manifestación del poder en la Roma Imperial: la propaganda trajanea en los monumentos |
| title_fullStr |
El arte como manifestación del poder en la Roma Imperial: la propaganda trajanea en los monumentos |
| title_full_unstemmed |
El arte como manifestación del poder en la Roma Imperial: la propaganda trajanea en los monumentos |
| title_sort |
art as a manifestation of power in imperial rome: the trajan propagation in the monuments |
| description |
Art is usually considered as a subjective and aesthetic expression of an artist whose implications are a double movement. On the one hand, the work manifests the subjectivity of the one who has executed it; but also on the other, it implies the aesthetic delight of those who observe it.However, art also transmits ideas, messages, symbols, intentions, which have a high social impact; therefore the aesthetic work becomes another way of communication. In this way, the authority can use art as a propagandistic element, as a discursive resource, to install an idea that arises from the ruler (sender) to those who are governed (receiver).The intention of the present work is to analyze the imperial propaganda of Rome in the second century of our era, specifically in the figure the Emperor Trajan by means of the monuments erected in his honor. |
| publisher |
Asociación de Estudios Interdisciplinarios sobre Europa (ADEISE) |
| publishDate |
2020 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/europa/article/view/3968 |
| topic |
Imperio Romano Trajano Legitimación del poder Arte Monumentos Roman Empire Trajan Legitimization of power Art Monuments |
| topic_facet |
Imperio Romano Trajano Legitimación del poder Arte Monumentos Roman Empire Trajan Legitimization of power Art Monuments |
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