Punto di vista maschile e femminile sulla fuga di Adelaide. Un problema di genere? Adelaide nella vita Mathildis di Donizone e nella gesta Ottonis imperatoris di Rosvita
This work analyzes the figure of Adelaide in the works "Vita Mathildis" of Donizo and "Gesta Ottonis imperatoris" of Hrotsvitha, in particular, the scene where she escapes of Berengar, that had imprisioned her after the death of her husband Lotar. Studying about the life and the...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Online |
| Lenguaje: | spa |
| Publicado: |
Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2018
|
| Materias: | |
| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/revhistuniv/article/view/2506 |
| Sumario: | This work analyzes the figure of Adelaide in the works "Vita Mathildis" of Donizo and "Gesta Ottonis imperatoris" of Hrotsvitha, in particular, the scene where she escapes of Berengar, that had imprisioned her after the death of her husband Lotar. Studying about the life and the historical context of the authors, the preface and the prologue that open the works and, posteriorly, the particular vision that both have abouth the story of Adelaide; we can look different points of view: On one side, Donizo makes Adelaide a passive actress of her story, taking the lead Canossa as the place of the story, together with the figure of Atto of Canossa, a character who only it’s present in his work. From another side, Hrotsvitha makes Adelaide the real protagonist of her story, able to survive and win thanks to the divine miracle. |
|---|
