Worringer y su visión del antiguo arte egipcio. La esfinge, la pirámide y la columna vegetal decorativa
In “Egyptian Art” (1927), Wilhelm Worringer, applied a great deal of his formalists theories – certainly from a binary logic- to approach ancient aesthetic manifestations. In the beginning the article exposes the geometry of the pyramid and the naturalism of sculpted figures: the ideas of the German...
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| Formato: | Online |
| Lenguaje: | spa |
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2022
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/revhistuniv/article/view/5989 |
| Sumario: | In “Egyptian Art” (1927), Wilhelm Worringer, applied a great deal of his formalists theories – certainly from a binary logic- to approach ancient aesthetic manifestations. In the beginning the article exposes the geometry of the pyramid and the naturalism of sculpted figures: the ideas of the German historian about the presumed lack of feelings and artificiality of a culture. Towards the end it focuses on the Egyptian vegetal column and discusses the possible links with the realm of the private and the artistic fantasy. The article provides, as a conclusion, a way of seeing the writing of Worringer from the XXI century. |
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